Interdisciplinary work between anthropology and history has taken diverse expressions. Yet it has developed with more coherence since the 1980s. Through a critical and contemporary engagement with this wave of scholarship, this challenges readers to think of work at the crossroads of anthropology and history as transdisciplinary and anthrohistorical, moving beyond a partial integration of the disciplines as it critically evaluates their assumptions and trajectories.

Honorable Mention, 2019 Victor Turner Prize in Ethnographic Writing, given by the Society for Humanistic Anthropology Honorable Mention, 2019 Sharon Stephens Prize, given by the American Ethnological Society Examines the role that race played in the inception of the airline industry Empire in the Air is at once a history of aviation, and an examination of how air travel changed lives along the transatlantic corridor of the African diaspora. Focusing on Britain and its Caribbean colonies, Chandra Bhimull reveals how the black West Indies shaped the development of British Airways. Bhimull offers a unique analysis of early airline travel, illuminating the links among empire, aviation and diaspora, and in doing so provides insights into how racially oppressed people experienced air travel. The emergence of artificial flight revolutionized the movement of people and power, and Bhimull makes the connection between airplanes and the other vessels that have helped make and maintain the African diaspora: the slave ships of the Middle Passage, the tracks of the Underground Railroad, and Marcus Garvey’s black-owned ocean liner. As a new technology, airline travel retained the racialist ideas and practices that were embedded in British imperialism, and these ideas shaped every aspect of how commercial aviation developed, from how airline routes were set, to who could travel easily and who could not. The author concludes with a look at airline travel today, suggesting that racism is still enmeshed in the banalities of contemporary flight.

Library holds volume 2, part 2 only.

Marshall Sahlins (b. 1930) is an American anthropologist who played a major role in the development of anthropological theory in the second half of the twentieth century. Over a sixty-year career, he and his colleagues synthesized trends in evolutionary, Marxist, and ecological anthropology, moving them into mainstream thought. Sahlins is considered a critic of reductive theories of human nature, an exponent of culture as a key concept in anthropology, and a politically engaged intellectual opposed to militarism and imperialism. This collection brings together some of the world’s most distinguished anthropologists to explore and advance Sahlins’s legacy. All of the essays are based on original research, most dealing with cultural change - a major theme of Sahlins’s research, especially in the contexts of Fijian and Hawaiian societies. Like Sahlins’s practice of anthropology, these essays display a rigorous, humanistic study of cultural forms, refusing to accept comfort over accuracy, not shirking from the moral implications of their analyses. Contributors include the late Greg Dening, one of the most eminent historians of the Pacific, Martha Kaplan, Patrick Kirch, Webb Keane, Jonathan Friedman, and Joel Robbins, with a preface by the late Claude Levi-Strauss. A unique volume that will complement the many books and articles by Sahlins himself, A Practice of Anthropology is an exciting new addition to the history of anthropological study.

History is a narrative discourse, full of unfinished stories. This collection of innovative and experimental pieces of historical writing shows there are fascinating and important new ways of thinking and writing about the past.

This collection of essays considers the ways and extent of Haiti's 'exceptionalisation' - its perception in multiple arenas as definitively unique with respect not only to the countries of the North Atlantic, but also to the rest of the Americas. Painted at once as repulsive and attractive, abject and resilient, singular and exemplary, Haiti has long been framed discursively by an extraordinary epistemological ambivalence. The nation has served at once as cautionary tale, model for humanitarian aid and development projects, and point of origin for general theorizing of the so-called Third World. What to make of this dialectic of exemplarity and alterity? How to pull apart this multivalent narrative so as to examine its constituent parts? The contributors to The Haiti Exception take up these and other such questions from a variety of methodological and disciplinary perspectives, among which Africana Studies, anthrohistory, art history, Black Studies, Caribbean Studies, education, ethnology, Jewish Studies, literary studies, performance studies, and urban studies. As they revise and interrogate their respective praxes, they accept the challenge of thinking about the particular stakes of and motivations for their own commitment to Haiti. Engaging in the decidedly risky anthropological practice of reflexivity, the scholars, activists and other social actors gathered here consider their own often fraught role in constructing Haiti in and as narrative.

In The Fernando Coronil Reader Venezuelan anthropologist Fernando Coronil challenges us to rethink our approaches to key contemporary epistemological, political, and ethical questions. Consisting of work written between 1991 and 2011, this posthumously published collection includes Coronil's landmark essays “Beyond Occidentalism” and “The Future in Question” as well as two chapters from his unfinished book manuscript, "Crude Matters." Taken together, the essays highlight his deep concern with the Global South, Latin American state formation, theories of nature, empire, and postcolonialism, and anthrohistory as an intellectual and ethical approach. Presenting a cross section of Coronil's oeuvre, this volume cements his legacy as one of the most innovative critical social thinkers of his generation.