CONTENTS.--no. 1. Papers concerning the attack on Hatfield and Deerfield, by a party of Indians from Canada, September nineteenth, 1677 [ed. by F.B. Hough] 1859.--no. 2. The Croakers, by J.R. Drake and F.G. Halleck. 1860.--no. 3. The operations of the French fleet under the Count de Grasse in 1781-2 as described in two contemporaneous journals [ed. by J.D.G. Shea] 1864.--[extra no.] Memorial of John Allan [by E.A. Duyckinck] 1864.--no. 4. Anthology of New Netherland; or, Translations from the early Dutch poets of New York; by H.C. Murphy. 1865--no. 5. Narratives of the career of Hernando de Soto in the conquest of Florida ... tr. by B. Smith. 1866.--no. 6. The northern invasion of October, 1780; a series of papers ... with an introduction and notes by F.B. Hough. 1866.--no. 7. The army correspondence of Colonel John Laurens in the years 1777-8, with a memoir by W.G. Simms. 1867.

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Excerpt from Anthology of New Netherland, or Translations From the Early Dutch Poets of New York: With Memoirs of Their Lives A few years ago, while sojourning in Holland, we printed, for the gratification of a few friends, the memoir and poems of Jacob Steendam, one of the writers here referred to. The prefatory note to that publication will best serve as an introduction to further exjtdanations. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.

Stuyvesant Bound is an innovative, compelling reassessment of the last Director-General of New Netherland. Donna Merwick employs a multidisciplinary approach to examine the layers of culture within which Peter Stuyvesant forged his career and performed his identity.