In 1947, author Beth Warren, entered the convent because she believed God called her to a special life of service for His people. She had a passionate love for nuns who combined their religious lives with outgoing compassion for others. Warren wanted to be just like them. She dreamed that answering her Call to religious life would help make the world a better place. During the sixties, Pope John XXIII asked nuns to look outside their convent walls to see where they were most needed. Warren was drawn to working with disadvantaged people, but she was told she was a teacher, not a social worker. She realized that to serve God’s deprived people and live among them, she would need to leave her religious Community. In Another Nun’s Story, Warren chronicles her joys and difficulties during her religious life from the 1940s to the 1980s. She discusses how being a rebel nun led her to break her vows and left her with unraveled feelings and some guilt. But she came to understand she was saying goodbye to an impossible dream so she could pursue one that was possible for her.

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“Engrossing . . . Imbued with the flavor of English medieval life, Robb’s story melds true events with fiction to create a gripping historical mystery” (Publishers Weekly). When young nun Joanna Calverley dies of a fever in the town of Beverley in the summer of 1365, she is buried quickly for fear of the plague. But a year later, Archbishop Thoresby learns of a woman who has arrived in York claiming to be the resurrected nun, talking of relic-trading and miracles. And death seems to ride in her wake. The archbishop sends Owen Archer to retrace the woman’s journey, an investigation that leads him across the north from Leeds to Beverley to Scarborough. Along the way he encounters Geoffrey Chaucer, a spy for the king of England, who believes there is a connection between the nun’s troubles, renegade mercenaries, and the powerful Percy family. Back in York, however, Owen’s wife, Lucie, pregnant with their first child, has won the confidence of the mysterious nun and realizes that there are secrets hidden in the woman’s seemingly mad ramblings . . . Based on an enigmatic entry in the records of Clementhorpe Nunnery, this authentic, gripping mystery conjures a fourteenth century ripe with forbidden passions and political intrigue. “[Robb] lives up to the standard set by master medievalist Ellis Peters.” —Booklist

A National Book Foundation "5 Under 35" Honoree “An enchanting, sparkling book about the many meanings of sisterhood.” —Kristin Iversen, Refinery29 Claire Luchette's debut, Agatha of Little Neon, is a novel about yearning and sisterhood, figuring out how you fit in (or don’t), and the unexpected friends who help you find your truest self Agatha has lived every day of the last nine years with her sisters: they work together, laugh together, pray together. Their world is contained within the little house they share. The four of them are devoted to Mother Roberta and to their quiet, purposeful life. But when the parish goes broke, the sisters are forced to move. They land in Woonsocket, a former mill town now dotted with wind turbines. They take over the care of a halfway house, where they live alongside their charges, such as the jawless Tim Gary and the headstrong Lawnmower Jill. Agatha is forced to venture out into the world alone to teach math at a local all-girls high school, where for the first time in years she has to reckon all on her own with what she sees and feels. Who will she be if she isn’t with her sisters? These women, the church, have been her home. Or has she just been hiding? Disarming, delightfully deadpan, and full of searching, Claire Luchette’s Agatha of Little Neon offers a view into the lives of women and the choices they make.

Witchcraft. Arson. Going AWOL. Some nuns in sixteenth- and seventeenth-century Italy strayed far from the paradigms of monastic life. Cloistered in convents, subjected to stifling hierarchy, repressed, and occasionally persecuted by their male superiors, these women circumvented authority in sometimes extraordinary ways. But tales of their transgressions have long been buried in the Vatican Secret Archive. That is, until now. In Nuns Behaving Badly, Craig A. Monson resurrects forgotten tales and restores to life the long-silent voices of these cloistered heroines. Here we meet nuns who dared speak out about physical assault and sexual impropriety (some real, some imagined). Others were only guilty of misjudgment or defacing valuable artwork that offended their sensibilities. But what unites the women and their stories is the challenges they faced: these were women trying to find their way within the Catholicism of their day and through the strict limits it imposed on them. Monson introduces us to women who were occasionally desperate to flee cloistered life, as when an entire community conspired to torch their convent and be set free. But more often, he shows us nuns just trying to live their lives. When they were crossed—by powerful priests who claimed to know what was best for them—bad behavior could escalate from mere troublemaking to open confrontation. In resurrecting these long-forgotten tales and trials, Monson also draws attention to the predicament of modern religious women, whose “misbehavior”—seeking ordination as priests or refusing to give up their endowments to pay for priestly wrongdoing in their own archdioceses—continues even today. The nuns of early modern Italy, Monson shows, set the standard for religious transgression in their own age—and beyond.

Impressionistic and dreamy, a nine-year-old girl immediately feels that she might be called by God when a Catholic missionary speaks to her third grade class at a Catholic school. The idea of this calling embeds itself into her, haunting her through elementary and high school, after which she chooses to enter the convent. Her story follows the five years she spent as an Adrian Dominican nun struggling to balance her desire for a secular life with her great fear of turning her back on God's call. Her stories are sad as well as joyous, inspiring as well as unsettling.