What if you woke up one morning and you were told that you were going to die that very day? You are free to do anything you want to do, talk to anyone you want to talk to, but you cannot tell them that you are dying, or you will lose the gift of knowing. What would you do? Who would you talk to, and what things would you do to make sure that your life was in order by the end of the day? Jackson Lee, a successful former attorney, retired military officer, and now successful real estate broker is presented with this very challenge. A loving husband, father, grandfather, and brother, he must live the last eighteen hours of his life in hopes of honoring the tenets of Heavens Code, and make it more than just Another Last Day.

"The times have never been darker, yet Alex Lemon's imagination has never been more hopefully wild." --RICK BAROT

An apocalyptic thriller centered around a mysterious woman with extraordinary powers.

“Alex Lemon is a brave, headlong writer, and he captures the life of the body with vivid and memorable intensity.”—Mark Doty Brain surgery. Assault weapons in the bed of a pickup truck. Sophia Loren at the Oscars. Rilke, Rodin, and the craters of the moon. Recovery and disintegration. Monkeys stealing an egg outside a temple in Kathmandu. Brushing teeth bloody on long car rides under blue skies. Pain, ours and what we bring to others. Wildfires in southern California. Rats in Texas. Childhood abuse. Dreams of tigers and blackout nights. The sweetness of mangoes. A son born into a shadowy hospital room. Love. Joy. In Feverland, Alex Lemon has created a fragmented exploration of what it means to be a man in the tumult of twenty-first-century America—and a harrowing, associative memoir about how we live with the beauties and horrors of our pasts. How to move forward, Lemon asks, when trapped between the demons of one’s history and the angels of one’s better nature? How to live in kindness—to become a caring partner and parent—when one can muster very little such tenderness for oneself? How to be here, now? How to be here, good? Immersed in darkness but shot through with light, Feverland is a thrillingly experimental memoir from one of our most heartfelt and inventive writers.

"To read this book is to meet a man who would climb the sky." —BOB HICOK In his follow-up to Fancy Beasts, a book that “slice[d] straight through nerve and marrow on its way to the heart and mind of the matter” (Tracy K. Smith), Alex Lemon dazzles with his exuberance and candor. Whether in unrestrained descriptions of sensory overload or tender meditations on fatherhood and mortality, Lemon blurs the nebulous line between the personal and the pop-cultural. These poems are full of frenetic energy and images pleasantly, strangely colliding: jigsaws and bathtubs and kung-fu and X-rays. A carnival barker calls. A jellyfish celebrates a shaky adulthood. A sliding door shatters with the passing through of a body. And a heart is “ecstatically / Torn apart like Twizzlers.” Lean and muscular, The Wish Book is a collection of fireworks and wild emotion, defined by Lemon’s distinct brand of poetic edginess.

The magic of summer comes to life in this “heartfelt” (School Library Journal) middle grade debut about an eleven-year-old girl who must save the future by restarting time after she realizes that her wish to relive the last day of summer may not have been such a great thing after all. What if you could get a do-over—a chance to relive a day in your life over and over again until you got it right? Would you? After finding a mysterious set of paints in her backpack, eleven-year-old Haleigh Adams paints a picture of her last day at the New Jersey shore. When she wakes up the next morning, Haleigh finds that her wish for an endless summer with her new friend Kevin has come true. At first, she’s thrilled, but Haliegh soon learns that staying in one place—and time—comes with a price. And when Haleigh realizes her parents have been keeping a secret, she is faced with a choice: do nothing and miss out on the good things that come with growing up or find the secret of the time loop she’s trapped in and face the inevitable realities of moving on. As she and Kevin set out to find the source of the magic paints, Haleigh worries it might be too late. Will she be able to restart time? And if she does, will it be the biggest mistake of her life?

Published on the fiftieth anniversary of Marcel Duchamp’s death, Duchamp’s Last Day offers a radical reading of the artist’s final hours. Just moments after Duchamp died, his closest friend Man Ray took a photograph of him. His face is wan; his eyes are closed; he appears calm. Taking this image as a point of departure, Donald Shambroom begins to examine the surrounding context—the dinner with Man Ray and another friend, Robert Lebel, the night Duchamp died, the conversations about his own death at that dinner and elsewhere, and the larger question of whether this radical artist’s death can be read as an extension of his work. Shambroom’s in-depth research into this final night, and his analysis of the photograph, feeds into larger questions about the very nature of artworks and authorship which Duchamp raised in his lifetime. In the case of this mysterious and once long-lost photograph, who is the author? Man Ray or Duchamp? Is it an artwork or merely a record? Has the artist himself turned into one of his own readymades? A fascinating essay that is both intimate and steeped in art history, Duchamp’s Last Day is filled with intricate details from decades of research into this peculiar encounter between art, life, and death. Shambroom’s book is a wonderful study of one of the greatest artists of the twentieth century.