Brilliant, painful, dazzling, and funny as hell, Yellow Dog is Martin Amis’ highly anticipated first novel in seven years and a stunning return to the fictional form. When “dream husband” Xan Meo is vengefully assaulted in the garden of a London pub, he suffers head injury, and personality change. Like a spiritual convert, the familial paragon becomes an anti-husband, an anti-father. He submits to an alien moral system -- one among many to be found in these pages. We are introduced to the inverted worlds of the “yellow” journalist, Clint Smoker; the high priest of hardmen, Joseph Andrews; and the porno tycoon, Cora Susan. Meanwhile, we explore the entanglements of Henry England: his incapacitated wife, Pamela; his Chinese mistress, He Zhezun; his fifteen-year-old daughter, Victoria, the victim of a filmed “intrusion” that rivets the world -- because she is the future Queen of England, and her father, Henry IX, is its King. The connections between these characters provide the pattern and drive of Yellow Dog. If, in the 21st century, the moral reality is changing, then the novel is changing too, whether it likes it or not. Yellow Dog is a model of how the novel, or more particularly the comic novel, can respond to this transformation. But Martin Amis is also concerned here with what is changeless and perhaps unchangeable. Patriarchy, and the entire edifice of masculinity; the enormous category-error of violence, arising between man and man; the tortuous alliances between men and women; and the vanished dream (probably always an illusion, but now a clear delusion) that we can protect our future and our progeny. Meo heard no footsteps; what he heard was the swish, the shingly soft-shoe of the hefted sap. Then the sharp two-finger prod on his shoulder. It wasn’t meant to happen like this. They expected him to turn and he didn’t turn -- he half-turned, then veered and ducked. So the blow intended merely to break his cheekbone or his jawbone was instead received by the cranium, that spacey bulge (in this instance still quite marriageably forested) where so many delicate and important powers are so trustingly encased. He crashed, he crunched to his knees, in obliterating defeat. . . . -- from Yellow Dog

For courses in Financial Accounting, Financial Reporting, Financial Statement Analysis, Introduction to Business, or MBA finance courses. Understanding the Corporate Annual Report: Nuts, Bolts, and A Few Loose Screws provides a clearly written, step-by-step guide to understanding corporate annual reports. Authors Fraser and Ormiston instruct readers on how to ignore the PR letters from the corporate management team, engaging graphics, and other "garnishes" that typically accompany current annual reports in order to focus on what really counts--a company's performance and financial health! Throughout the text, the authors examine management's attempts to manipulate earnings and other performance measures, and they explain what the numbers in the report really mean.

Annotation The World Bank Annual Report 2003 offers a concise look at

V.1 Year in review -- V.2 Financial statements and appendixes.

Recent changes in the regulatory environment have had a majorimpact financial reporting and corporate governance issues. As the complexity of the reporting environment continues toincrease, students will need to understand how to read andinterpret financial reports so they can make smart decisions. With Introduction to the Corporate Annual Report: A BusinessApplication, your students will have a systematic process thatexposes them to the many elements of the annual report andfinancial reporting. This workbook links theory and practicein an easily managed format and makes the study and analysis of acorporate annual report a fun, active, and rewarding learningexperience. The workbook's instructions are self-directing andcomplete.

Asta's son has no name. And, after the death of his mother, no family to protect him when he is accused of a crime he didn't commit. Declared a 'wolf's head' - meaning that anyone who catches him can kill him - he has no choice but to leave his village. All he can take with him on the journey is his newly revealed name - Crispin - and his mother's cross of lead. Travelling without purpose, through a countryside still ravaged by the effects of the plague, Crispin stumbles upon a juggler, giant of a man known as Bear. Crispin becomes Bear's servant but the juggler is a stange master offering both protection and encouraging Crispin to think for himself. But Crispin is not safe and it becomes clear he is being relentlessly pursued. Why are his enemies so determined to kill him? Will the lessons Bear has taught him be enough to safeguard all that he now holds so dear... Avi brings the full force of his storytelling powers to the world of medieval England.