Harley-riding hellion Gabriel Donner had broken every rule, sinning enough for at least two lifetimes. And it would take just as long to right all his wrongs and earn his way to heaven. But his time was running out …. Then Gabriel rode to the rescue of an old-fashioned damsel in distress. Sweet Annie O'Brien desperately needed a guardian angel, and in her innocent eyes, his biker shades and outlaw leather shone like a halo and wings. Clearly Annie offered him salvation. Or did she? Loving her would be heaven, losing her, pure hell. And lose her he must. Unless time somehow stood still, erasing his past …and rewriting Annie's future.

Revisit a fan-favorite romance from New York Times best-selling author Sharon Sala Harley-riding hellion Gabriel Donner had broken every rule, sinning enough for at least two lifetimes. It would take just as long to right all his wrongs and earn his way to heaven, but his time is running out. Then Gabriel rides to the rescue of an old-fashioned damsel in distress. Sweet Annie O’Brien desperately needs a guardian angel, and in her innocent eyes, Gabriel’s biker shades and outlaw leather shines like a halo and wings. Clearly Annie offers him salvation. Or does she? Loving her would be heaven, losing her, pure hell. And lose her he must. Unless time somehow stands still, erasing his past …and rewriting Annie’s future. Originally published in 1994 FREE BONUS STORY INCLUDED IN THIS VOLUME! Her Cowboy Distraction by Carla Cassidy Welcome to the Cowboy Café, where danger and buried secrets abound in the heart of Grady Gulch, Oklahoma! She's been watching the handsome rancher for a while, just a lone cowboy eating pie with an empty chair beside him. One night, Lizzie Wiles, Cowboy Café's feisty new waitress, decides to go over and dare to interrupt Daniel Jefferson’s tortured solitude. But someone really wants her to disappear—now! Attacked and warned to leave, Lizzie has every reason to go...but there’s still one undeniable reason to stay. Originally published in 2012

A REESE'S BOOK CLUB PICK * INSTANT NEW YORK TIMES BESTSELLER * BELLETRIST BOOK CLUB PICK * INDIE NEXT SELECTION * LIBRARY READS SELECTION * AMAZON EDITORS' CHOICE * WASHINGTON POST BEST OF THE YEAR The "terrifying, wise, tender, and thrilling" (R.O. Kwon) adventure story of a fugitive girl, a mysterious gang of robbers, and their dangerous mission to transform the Wild West. In the year of our Lord 1894, I became an outlaw. The day of her wedding, 17 year old Ada's life looks good; she loves her husband, and she loves working as an apprentice to her mother, a respected midwife. But after a year of marriage and no pregnancy, in a town where barren women are routinely hanged as witches, her survival depends on leaving behind everything she knows. She joins up with the notorious Hole in the Wall Gang, a band of outlaws led by a preacher-turned-robber known to all as the Kid. Charismatic, grandiose, and mercurial, the Kid is determined to create a safe haven for outcast women. But to make this dream a reality, the Gang hatches a treacherous plan that may get them all killed. And Ada must decide whether she's willing to risk her life for the possibility of a new kind of future for them all. Featuring an irresistibly no-nonsense, courageous, and determined heroine, Outlawed dusts off the myth of the old West and reignites the glimmering promise of the frontier with an entirely new set of feminist stakes. Anna North has crafted a pulse-racing, page-turning saga about the search for hope in the wake of death, and for truth in a climate of small-mindedness and fear.

Based on the lives of two adolescent girls in the late 19th century who became infatuated with the Western outlaw heroes they had read about in Ned Buntline's stories and left their homes to join them. The outlaws the girls find are the demoralised remnants of the Doolin-Dalton gang, led by the aging Bill Doolin. Annie shames, and inspires the men, to become what she had imagined them to be. The younger sister Jenny finds a father figure in Doolin, who calls her Little Britches. Doolin's efforts to live up to the girls' vision of him lead him to be carted off in a cage to an Oklahoma jail where he waits to be hanged.

This collection of fifty outlaw tales includes well-knowns such as Butch Cassidy and the Sundance Kid, Frank and Jesse James, Belle Starr (and her dad), and Pancho Villa, along with a fair smattering of women, organized crime bosses, smugglers, and of course the usual suspects: highwaymen, bank and train robbers, cattle rustlers, snake-oil salesmen, and horse thieves. Men like Henry Brown and Burt Alvord worked on both sides of the law either at different times of their lives or simultaneously. Clever shyster Soapy Smith and murderer Martin Couk survived by their wits, while the outlaw careers of the dimwitted DeAutremont brothers and bigmouthed Diamondfield Jack were severely limited by their intellect, or lack thereof. Nearly everyone in these pages was motivated by greed, revenge, or a lethal mixture of the two. The most bloodthirsty of the bunch, such as the heartless (and, some might argue, soulless) Annie Cook and trigger-happy Augustine Chacón, surely had evil written into their very DNA.

“I know I’m not a man ... and I’ve come to the conclusion that I’m probably not a woman, either.... The trouble is, we’re living in a world that insists we be one or the other.” With these words, Kate Bornstein ushers readers on a funny, fearless, and wonderfully scenic journey across the terrains of gender and identity. With a new introduction by the author On one level, Gender Outlaw details Bornstein’s transformation from heterosexual male to lesbian woman, from a one-time IBM salesperson to a playwright and performance artist. But this particular coming-of-age story is also a provocative investigation into our notions of male and female, from a self-described nonbinary transfeminine diesel femme dyke who never stops questioning our cultural assumptions. Gender Outlaw was decades ahead of its time when it was first published in 1994. Now, some twenty-odd years later, this book stands as both a classic and a still-revolutionary work—one that continues to push us gently but profoundly to the furthest borders of the gender frontier.