This book examines how early Stuart queens navigated their roles as political players and artistic patrons in a culture deeply conflicted about the legitimacy of female authority. Anna of Denmark and Henrietta Maria both employed powerful female archetypes such as Amazons and the Virgin Mary in court performances. Susan Dunn-Hensley analyzes how darker images of usurping, contaminating women, epitomized by the witch, often merged with these celebratory depictions. By tracing these competing representations through the Jacobean and Caroline periods, Dunn-Hensley peels back layers of misogyny from historical scholarship and points to rich new lines of inquiry. Few have written about Anna’s religious beliefs, and comparing her Catholicism with Henrietta Maria’s illuminates the ways in which both women were politically subversive. This book offers an important corrective to centuries of negative representation, and contributes to a fuller understanding of the role of queenship in the English Civil War and the fall of the Stuart monarchy.

Ideal for courses, this Companion examines the range, historical importance, and aesthetic merit of women's writing in Britain, 1500-1700.

Did the Stuart queens create their own courts, and can these courts shed new light on women's poetry, drama and performance? This book investigates the literature, theatre, patronage and commissioning of the courts of Anna of Denmark (1603-19) and Henrietta Maria (1625-42). Unearthing the neglected history of the Stuart queens, these essays look afresh at the early modern European female elite to create a new picture of femininity for students and scholars of early modern culture.

Approaching the Stuart courts through the lens of the queen consort, Anna of Denmark, this study is underpinned by three key themes: translating cultures, female agency and the role of kinship networks and genealogical identity for early modern royal women. Illustrated with a fascinating array of objects and artworks, the book follows a trajectory that begins with Anna’s exterior spaces before moving to the interior furnishings of her palaces, the material adornment of the royal body, an examination of Anna’s visual persona and a discussion of Anna’s performance of extraordinary rituals that follow her life cycle. Underpinned by a wealth of new archival research, the book provides a richer understanding of the breadth of Anna’s interests and the meanings generated by her actions, associations and possessions.

The Politics of Female Households is the first collection that seeks to integrate ladies-in-waiting into the master narrative of early modern court studies. Presenting evidence and analysis of the multifarious ways in which ‘women above stairs’ shaped the European courts of the sixteenth and seventeenth centuries, it argues for a re-assessment of their political influence. The cultural agency of ladies-in-waiting is viewed in the reflection of portraiture, pamphlets and masques: their political dealings and patronage are revealed through analysis of letters, family networks, career patterns, gift exchange and household structures, as well as their activities in the fields of intelligence-gathering and espionage. By concentrating on a previously neglected area of female agency, this collection demonstrates clearly that the political climate of Europe was often shaped outside the male-dominated institutions of government and administration. Contributors include: Helen Graham-Matheson, Hannah Leah Crummé, Katrin Keller, Vanessa de Cruz, Birgit Houben, Dries Raeymaekers, Janet Ravenscroft, Una McIlvenna, Rosalind K. Marshall, Oliver Mallick, Cynthia Fry, Nadine Akkerman, Sara J. Wolfson, Fabian Persson, and Jeroen Duindam.

For women at the early modern courts, clothing and jewellery were essential elements in their political arsenal, enabling them to signal their dynastic value, to promote loyalty to their marital court and to advance political agendas. This is the first collection of essays to examine how elite women in early modern Europe marshalled clothing and jewellery for political ends. With essays encompassing women who traversed courts in Denmark, England, France, Germany, Habsburg Austria, Italy, Portugal, Spain and Sweden, the contributions cover a broad range of elite women from different courts and religious backgrounds as well as varying noble ranks.

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