Appearing in the final year of Victoria's reign, Anna Lombard captured many preoccupations of the fin-de-siecle period and pushed them beyond the bounds of Victorian acceptability towards the greater freedoms of the twentieth century. This hugely popular novel (thirty editions, six million copies sold) examines male and female sexuality, extending the notion of New Woman feminism and proposing a new masculinity to match it. Its transgressive interracial sexual and social relations are set in a highly eroticized Indian landscape and against the rigidities of Victorian imperialism. Anna Lombard challenges and subverts a wide range of the most fiercely defended ideologies of its time. For modern readers familiar with late Victorian conventions, it retains its power to surprise and shock, and extends our knowledge and understanding of the ways in which Victorian writers reflected and constructed social attitudes. For all readers, then as now, it is mesmerisingly readable. This new edition will extend understanding of women's writing of the period, and introduces a new generation of readers to the work of a once popular and continually engrossing novelist, Victoria Cross (a pen name of Annie Sophie Cory).

By tracing the rise of the New Man alongside novelistic changes in the representations of marriage, MacDonald shows how this figure encouraged Victorian writers to reassess masculine behaviour and to re-imagine the marriage plot in light of wider social changes. She finds examples in novels by Dickens, Anne Brontë, George Eliot and George Gissing.

"An account of the life and times of ... Sir John Salmond ... [a] study of the career and work of this influential legal philosopher and man of state traces the development of Salmond's principal ideas about law and their application to social and political problems of New Zealand in the first quarter of the twentieth century ... [his] judicial record is analysed and some leading cases discussed in detail"--Jacket.

The Routledge Handbook of Victorian Scandals in Literature and Culture exposes, explores, and examines what Victorians once considered flagrant breaches of decorum. Infringements that were fantasized through artforms or were actually committed exceeded entertaining parlor gossip; once in print they were condemned as socially contaminative but were also consumed as delightfully sensational. Written by scholars in diverse disciplines, this volume: Demonstrates that spreading scandals seemed to have been one of the most entertaining sources of activities but were also normative efforts made by the Victorians to ensure conformity of decorum. Provides a broad spectrum of infractions that were considered scandalous to the Victorians. Identifies Victorian transgressions that made the news and that may still shock modern readers. Covers a gamut of moral infractions and transgressions either practiced, rumored, or fantasized in art forms. This handbook is an invaluable resource about Victorian literature, art, and culture which challenges its readers to ponder perplexing questions about how and why some scandals were perpetrated and propagated in the nineteenth century while others were not, and what the controversies reveal about the human condition that persists beyond Victoria’s reign of propriety.