The unexpected emergence of the Solidarity movement in Poland has focused Western attention on conflicts within socialist states. The rapid truncation of Solidarity and the rise of a new image of the state as a militarized, relatively autonomous, repressive apparatus has left several theoretical questions unresolved and raised some new ones. This volume draws from historical and political accounts of the events that haunted Poland between 1980 and 1984, providing a complex sociological explanation of the major processes that occur within the state-society sphere of relationships. In part one, the authors examine the conflict between social movements and the state in Poland: the history of Solidarity, the nature of the political conflict between Solidarity and the Communist state, the institutionaliza-tion of the means of control by the party over society, the functioning of civil society, and the mediating role of the Catholic Church. In part two, the authors treat issues that go beyond Solidarity: the scope of state autonomy, legitimacy conflicts within socialist and capitalist states, other social movements in Poland, and the philosophical symbolism of Solidarity.

Rabbi Yudin's warm personality and divrei Torah have inspired tens of thousands of his community members, students and radio listeners for over three decades. In this volume - his first book - readers will be intrigued by original, fascinating questions and inspired by deep and uplifting explanations. Crafted over thirty years of popular radio drashos and beloved by listeners both old and young, these thoughts are ideal to bring to your Shabbos table. Rabbi Benjamin Yudin has been Rav of Congregation Shomrei Torah in Fair Lawn, New Jersey since 1969, and has taught at Yeshiva university for decades. Most famously, Rabbi Yudin gives a popular weekly radio drasha on JM in the AM.

"This is the colorful and dramatic biography of two of America's most controversial entrepreneurs: Moses Louis Annenberg, 'the racing wire king, ' who built his fortune in racketeering, invested it in publishing, and lost much of it in the biggest tax evasion case in United States history; and his son, Walter, launcher of TV Guide and Seventeen magazines and former ambassador to Great Britain."--Jacket.

The special needs of women with disabilities have been disregarded in a wide variety of vital areas. Issues pertain to women as wives and mothers. Studies of the effects on female sexuality of such conditions as renal disease and diabetes are lacking, though the sexual functioning of men with these diseases has been researched. On the economic front, the Federal-State Vocational Rehabilitation system and the regulations concerning disability benefits under Social Security provide less adequately for women than for men. Hopefully, this volume will raise the consciousness of its readers to the special status of women with disabilities as a minority group experiences multiple sources of discriminations.

ntroduction by Stephen King, Afterword by Tobe Hooper, Jacket and Interior Art by Clive BarkerA LIFE IN THE CINEMA is the first book from award-winning filmmaker Mick Garris. It is a collection of eight prickly tales and a screenplay that reach under the skin of real life and reel life to take you places you never realized you wanted to go. The title story, "A Life in the Cinema" and its sequel, "Starfucker", are set in the author's hometown of Hollywood, and provide a yellow-jaundiced look at a world you only thought was glamorous.As Stephen King, in his introduction, says: "Here is a real Hollywood insider writing about the real inside world of filmmaking: the good, the bad, and the cheesy. These stories are both erotic and cynical, but they are above all well and fiercely told-when he's yarning about the tarnished tinsel underbelly of the town he knows (and clearly loves) the best, Mick Garris writes like a combination of Robert Bloch and James Ellroy, hardboiled noir with a ghastly little prink of the devil's own pitchfork."Not all of the stories are Hollywood-based: Garris includes tales of a grandmother who is just as loving in death as she was in life, a geriatric trailer park with a randy secret, wistful and impossible love with a twist, the wrong kind of baby-love, and a deathly brush with fame. The book is capped with a screenplay by Garris, as well as "Chocolate", the story it's based on, providing, as King puts it, "a textbook seminar in the art and craft of adapting one's own work."So welcome to a dark side of Hollywood you've never seen before...