While many scholars who write about animals deal with animal agency in some way, this volume is the first to position the question of nonhuman agency as the primary focus of inquiry. Section I presents studies of actual animals demonstrating agency; Section II moves agency into new terrain while considering key representations of animal agency in literature; Section III analyzes animals as mediators and as conveyances of human-to-human communication;and Section IV investigates the agency of beings who defy conventional species categories. The Envoi demonstrates how the microscopic polyp is interwoven into notions of agency and mythical superagency. This volume's interdisciplinary explorations press hard on issues of agency to open up space for more questions about how we can understand relationships between the human and the nonhuman.

Animals are conscious beings that form their own perspective regarding the lifeworlds in which they exist, and according to which they act in relation to their species and other animals. In recent decades a thorough transformation in societal research has taken place, as many groups that were previously perceived as being passive or subjugated objects have become active subjects. This fundamental reassessment, first promoted by feminist and radical studies, has subsequently been followed by spatial and material turns that have brought non-human agency to the fore. In human–animal relations, despite a power imbalance, animals are not mere objects but act as agents. They shape our material world and our encounters with them influence the way we think about the world and ourselves. This book focuses on animal agency and interactions between humans and animals. It explores the reciprocity of human–animal relations and the capacity of animals to act and shape human societies. The chapters draw on examples from the Global North to explore how human life in modernity has been and is shaped by the sentience, autonomy, and physicality of various animals, particularly in landscapes where communities and wild animals exist in close proximity. It offers a timely contribution to animal studies, environmental geography, environmental history, and social science and humanities studies of the environment more broadly.

This Open Access book brings together authoritative voices in animal and environmental ethics, who address the many different facets of changing human-animal relationships in the Anthropocene. As we are living in complex times, the issue of how to establish meaningful relationships with other animals under Anthropocene conditions needs to be approached from a multitude of angles. This book offers the reader insight into the different discussions that exist around the topics of how we should understand animal agency, how we could take animal agency seriously in farms, urban areas and the wild, and what technologies are appropriate and morally desirable to use regarding animals. This book is of interest to both animal studies scholars and environmental ethics scholars, as well as to practitioners working with animals, such as wildlife managers, zookeepers, and conservation biologists.

How the lives and labors of nineteenth-century circus elephants shaped the entertainment industry. Consider the career of an enduring if controversial icon of American entertainment: the genial circus elephant. In Entertaining Elephants Susan Nance examines elephant behavior—drawing on the scientific literature of animal cognition, learning, and communications—to offer a study of elephants as actors (rather than objects) in American circus entertainment between 1800 and 1940. By developing a deeper understanding of animal behavior, Nance asserts, we can more fully explain the common history of all species. Entertaining Elephants is the first account that uses research on animal welfare, health, and cognition to interpret the historical record, examining how both circus people and elephants struggled behind the scenes to meet the profit necessities of the entertainment business. The book does not claim that elephants understood, endorsed, or resisted the world of show business as a human cultural or business practice, but it does speak of elephants rejecting the conditions of their experience. They lived in a kind of parallel reality in the circus, one that was defined by their interactions with people, other elephants, horses, bull hooks, hay, and the weather. Nance’s study informs and complicates contemporary debates over human interactions with animals in entertainment and beyond, questioning the idea of human control over animals and people's claims to speak for them. As sentient beings, these elephants exercised agency, but they had no way of understanding the human cultures that created their captivity, and they obviously had no claim on (human) social and political power. They often lived lives of apparent desperation.

From bears on the Renaissance stage to the equine pageantry of the nineteenth-century hunt, animals have been used in human-orchestrated entertainments throughout history. The essays in this volume present an array of case studies that inspire new ways of interpreting animal performance and the role of animal agency in the performing relationship. In exploring the human-animal relationship from the early modern period to the nineteenth century, Performing Animals questions what it means for an animal to “perform,” examines how conceptions of this relationship have evolved over time, and explores whether and how human understanding of performance is changed by an animal’s presence. The contributors discuss the role of animals in venues as varied as medieval plays, natural histories, dissections, and banquets, and they raise provocative questions about animals’ agency. In so doing, they demonstrate the innovative potential of thinking beyond the boundaries of the present in order to dismantle the barriers that have traditionally divided human from animal. From fleas to warhorses to animals that “perform” even after death, this delightfully varied volume brings together examples of animals made to “act” in ways that challenge obvious notions of performance. The result is an eye-opening exploration of human-animal relationships and identity that will appeal greatly to scholars and students of animal studies, performance studies, and posthuman studies. In addition to the editors, the contributors are Todd Andrew Borlik, Pia F. Cuneo, Kim Marra, Richard Nash, Sarah E. Parker, Rob Wakeman, Kari Weil, and Jessica Wolfe.

New York Times bestselling author Eliot Schrefer introduces a delightful and dynamic animal duo in a race against time to save a polar bear cub in the first book of this hilarious and heartwarming middle grade series about friendship and conservation. When an animal is in trouble, there’s only one place to turn: the Animal Rescue Agency! Dashing Esquire Fox used to organize the world’s most elaborate chicken raids until the day she encountered Mr. Pepper. Meeting the blustery old rooster changed her heart, convincing her to turn from a life of crime and instead form the Animal Rescue Agency, which masterminds rescue operations across the globe. Esquire and her unlikely chicken business manager coordinate their far-flung agents to get them to the Arctic. In that frozen land they learn that what happened to the polar bear cub was no accident—and that saving him will pit them against the scariest predator in the world: a human.

There's a new resident at the Magical Animal Adoption Agency-but this one hasn't hatched yet! Mr. Jams brought home an enchanted egg from his last journey, and Clover can't wait to find out what kind of creature the polka-dotted shell contains. But one morning when Clover checks on the cozy nest of feathers she's made for the egg, she finds it empty, and the baby animal is nowhere in sight! Clover is anxious to find the creature, but the Agency is full of visitors looking for pets of their own. Will Clover be able to match them with their perfect companions and save the mysterious animal before Mr. Jams returns from his trip? With charming illustrations by Alexandra Boiger, the second book in Kallie George's The Magical Animal Adoption Agency series celebrates the magic of new friends and the power of seeing with your heart. Praise for Clover's Luck "[This] gentle tale of magic and self-reliance will entertain confident new independent readers. Clover's sweet story is a good next step for lovers of the Magic Tree House." -Kirkus Reviews "The first novel in George's new series is a charming story, delicately written, with a winning heroine. Clover's first adventure with the magical animals at the agency comes to a conclusion that will satisfy young readers." -Booklist Online