In the present volume, the two essays that frame the book provide exciting insight into the mental world of the Anglo-Saxons by showing on the one hand how they understood the processes of reading and assimilating knowledge and, on the other, how they conceived of time and the passage of the seasons. In the field of art history, two essays treat two of the best-known Anglo-Saxon manuscripts. The lavish symbol pages in the 'Book of Durrow' are shown to reflect a programmatic exposition of the meaning of Easter, and a posthumous essay by a distinguished art historian shows how the Anglo-Saxon illustrations added to the 'Galba Psalter' are best to be understood in the context of the programme of learning instituted by King Alfred. The usual comprehensive bibliography of the previous year's publications in all branches of Anglo-Saxon studies rounds off the book.

The twelve essays in this collection advance the contemporary study of the women saints of Anglo-Saxon England by challenging received wisdom and offering alternative methodologies. The work embraces a number of different scholarly approaches, from codicological study to feminist theory. While some contributions are dedicated to the description and reconstruction of female lives of saints and their cults, others explore the broader ideological and cultural investments of the literature. The volume concentrates on four major areas: the female saint in the Old English Martyrology, genre including hagiography and homelitic writing, motherhood and chastity, and differing perspectives on lives of virgin martyrs. The essays reveal how saints' lives that exist on the apparent margins of orthodoxy actually demonstrate a successful literary challenge extending the idea of a holy life.

Land and Book places a variety of texts in a dynamic conversation with the procedures and documents of land tenure, showing how its social practice led to innovation across written genres in both Latin and Old English.

This volume brings to light material evidence to further our knowledge of Anglo-Saxon England.

In Compelling God, Stephanie Clark examines the relationship between prayer, gift giving, the self, and community in Anglo-Saxon England.

How did the Anglo-Saxons visualize the world that they inhabited? How did their artwork and iconography help to confirm their identity as a people? What influences shaped their visual imagination? This volume brings together a wide range of scholarly perspectives on the role of visuality in the production of culture. Jewels, weapons, crosses, coins, and other artifacts; descriptive passages in literature; types of script; deluxe illuminated manuscripts; and runes and other written inscriptions, whether real or imagined -- all receive scrutiny in this collection of new essays. Noteworthy for its interdisciplinary scope, the volume features arresting work by experts in archaeology, art history, literary studies, linguistics, numismatics, and manuscript studies. The volume as a whole demonstrates the power of current scholarship to cast light on the visual imagination of the past.

The question of the British presence in Anglo-Saxon England readdressed by archaeologists, historians, linguists, and place-name specialists. The number of native Britons, and their role, in Anglo-Saxon England has been hotly debated for generations; the English were seen as Germanic in the nineteenth century, but the twentieth saw a reinvention of the German "past". Today, the scholarly community is as deeply divided as ever on the issue: place-name specialists have consistently preferred minimalist interpretations, privileging migration from Germany, while other disciplinary groups have been less united in their views, with many archaeologists and historians viewing the British presence, potentially at least, as numerically significant or even dominant. The papers collected here seek to shed new light on this complex issue, by bringing together contributions from different disciplinary specialists and exploring the interfaces between various categories of knowledge about the past. They assemble both a substantial body of evidence concerning the presence of Britons and offer a variety of approaches to the central issues of the scale of that presence and its significance across the seven centuries of Anglo-Saxon England. NICK HIGHAM is Professor of Early Medieval and Landscape History at the University of Manchester. Contributors: RICHARD COATES, MARTIN GRIMMER, HEINRICH HARKE, NICK HIGHAM, CATHERINE HILLS, LLOYD LAING, C.P. LEWIS, GALE R. OWEN-CROCKER, O.J. PADEL, DUNCANPROBERT, PETER SCHRIJVER, DAVID THORNTON, HILDEGARD L.C. TRISTRAM, DAMIAN TYLER, HOWARD WILLIAMS, ALEX WOOLF