Nostalgia has become a major force in global politics. While Donald Trump hopes to "make America great again," Xi Jinping calls for a "great rejuvenation of the Chinese people," and a majority of Russians still mourn the Soviet Union. But it is Brexit, with its idealization of a bygone era of full sovereignty, that epitomizes nostalgic nationalism in its purest form. Despite its romantic flavor, nostalgia is a malaise--a combination of paranoia and melancholy that idealizes the past, while denigrating the present. This epidemic of mythicizing national history is shaping politics in risky ways, fueled by ageing populations, shifts in the global order, and technological disruption. When deployed in the political debate, collective nostalgia is used as an emotional weapon, capable of mobilizing a nation towards illusory goals. Drawing on psychology, political science, history and popular culture, Anglo Nostalgia analyses the rapid spread of this global phenomenon, before focusing on Brexit as a case study. With the detachment of informed outsiders, Campanella and Dassù expose nostalgia's great danger: the oversimplification of reality, leading to unprecedented political miscalculations and rising geopolitical tensions.

Does not seek to judge the wisdom of Britain leaving the EU, but exposes nostalgia's great danger: the oversimplification of reality.

Aesthetics of Nostalgia reads Anglo-Saxon historical verse in terms of how its aesthetic form interacted with the culture and politics of the period.

The story of how the country house, historically a site of violent disruption, came to symbolize English stability during the eighteenth century. Country houses are quintessentially English, not only architecturally but also in that they embody national values of continuity and insularity. The English country house, however, has more often been the site of violent disruption than continuous peace. So how is it that the country how came to represent an uncomplicated, nostalgic vision of English history? This book explores the evolution of the country house, beginning with the Reformation and Civil War, and shows how the political events of the eighteenth century, which culminated in the reaction against the French Revolution, led to country houses being recast as symbols of England’s political stability.

• The book demonstrates how a vernacular British performance form emerged as a hybrid of forms from Afro-American and minstrel, as well as French mime and Italian commedia dell’arte roots. • Theatre history is an essential part of theatre and drama courses across the UK and would be recommended reading. • There is no comparable book which makes critical analysis of British pierrot troupes and concert parties in existence – the only ones that do exist on the specific topic are written as reminiscence and anecdote.

This investigation into the Nazi leader’s mindset is “an inherently fascinating study . . . a work of meticulously presented and seminal scholarship”(Midwest Book Review). Adolf Hitler’s virulent anti-Semitism is often attributed to external cultural and environmental factors. But as historian Peter den Hertog notes in this book, most of Hitler’s contemporaries experienced the same culture and environment and didn’t turn into rabid Jew-haters, let alone perpetrators of genocide. In this study, the author investigates what we do know about the roots of the German leader’s anti-Semitism. He also takes the significant step of mapping out what we do not know in detail, opening pathways to further research. Focusing not only on history but on psychology, forensic psychiatry, and related fields, he reveals how Hitler was a man with highly paranoid traits, and clarifies the causes behind this paranoia while explaining its connection to his anti-Semitism. The author also explores, and answers, whether the Führer gave one specific instruction ordering the elimination of Europe’s Jews, and, if so, when this took place. Peter den Hertog is able to provide an all-encompassing explanation for Hitler’s anti-Semitism by combining insights from many different disciplines—and makes clearer how Hitler’s own particular brand of anti-Semitism could lead the way to the Holocaust.

The Anglo-Saxon world continues to be a source of fascination in modern culture. Its manifestations in a variety of media are here examined.