Anglo-French Relations in the Twentieth Century is a collection of studies on the key episodes of the difficult and often discordant Anglo-French exchange over the past century. The authors critically re-evaluate: * the role of Spain in Anglo-French relations up to 1918 * the missed opportunity of the 1920s with the failure of France and Britain to find sufficient common ground and co-operation * the short-lived Anglo-French alliance and the Second World War * the degree of Anglo-French Imperial co-operation * the Suez Crisis * British and French policies on European Integration.

This collection gathers many of the best-known names in the field of Anglo-French relations and provides an authoritative survey of the field. Starting with the crucial period of the First World War and ending with the equally complex question of the second Iraq War, the study has an emphasis on British perceptions of the Entente.

Looking at decolonization in the conditional tense, this volume teases out the complex and uncertain ends of British and French empire in Africa during the period of ‘late colonial shift’ after 1945. Rather than view decolonization as an inevitable process, the contributors together explore the crucial historical moments in which change was negotiated, compromises were made, and debates were staged. Three core themes guide the analysis: development, contingency and entanglement. The chapters consider the ways in which decolonization was governed and moderated by concerns about development and profit. A complementary focus on contingency allows deeper consideration of how colonial powers planned for ‘colonial futures’, and how divergent voices greeted the end of empire. Thinking about entanglements likewise stresses both the connections that existed between the British and French empires in Africa, and those that endured beyond the formal transfer of power.

The US invasion of Iraq in 2003 was done mainly, if one is to believe US policy at the time, to liberate the people of Iraq from an oppressive dictator. However, the many protests in London, New York, and other cities imply that the policy of “making the world safe for democracy” was not shared by millions of people in many Western countries. Thinking about this controversy inspired the present volume, which takes a closer look at how society responded to the outbreaks and conclusions of the First and Second World Wars. In order to examine this relationship between the conduct of wars and public opinion, leading scholars trace the moods and attitudes of the people of four Western countries (Great Britain, France, Germany and Italy) before, during and after the crucial moments of the two major conflicts of the twentieth century. Focusing less on politics and more on how people experienced the wars, this volume shows how the distinction between enthusiasm for war and concern about its consequences is rarely clear-cut.

A series of limiting definitions have tended to delineate the Franco-British cinematic relationship. As this collection of essays reveals, there is much more to it than simple oppositions between British critical esteem for the films of France and French dismissal of ‘le cinéma British’, or the success of Ken Loach et al. at the French box office and the relative dearth of French movies on British screens. In fact, there has long been a rich and productive dialogue between these two cultures in which both their clear differences and their shared concerns have played a vital role. This book provides an overview of the history of these relations from the early days of sound cinema to the present day. The chapters, written by leading experts in the history of French, British and European cinema, provide insights into relations between French and British cinematic cultures at the level of production, exhibition and distribution, reception, representation and personnel. The book features a diverse range of studies, including: the exhibition of French cinema in Britain in the 1930s, contemporary ‘extreme’ French cinema, stars such as Annabella, David Niven and Jane Birkin and the French Resistance on British screens.

Arguing about Empire analyses the most divisive arguments about empire between Europe's two leading colonial powers from the age of high imperialism to the post-war era of decolonization. Focusing on the domestic contexts underlying imperial rhetoric, Arguing about Empire adopts a case-study approach, treating key imperial debates as historical episodes to be investigated in depth. The episodes in question have been selected both for their chronological range, their variety, and, above all, their vitriol. Some were straightforward disputes; others involved cooperation in tense circumstances. These include the Tunisian and Egyptian crises of 1881-2, which saw France and Britain establish new North African protectorates, ostensibly in co-operation, but actually in competition; the Fashoda Crisis of 1898, when Britain and France came to the brink of war in the aftermath of the British re-conquest of Sudan; the Moroccan crises of 1905 and 1911, early tests of the Entente Cordiale, when Britain lent support to France in the face of German threats; the 1922 Chanak crisis, when that imperial Entente broke down in the face of a threatened attack on Franco-British forces by Kemalist Turkey; World War Two, which can be seen in part as an undeclared colonial war between the former allies, complicated by the division of the French Empire between De Gaulle's Free French forces and those who remained loyal to the Vichy Regime; and finally the 1956 Suez intervention, when, far from defusing another imperial crisis, Britain colluded with France and Israel to invade Egypt -- the culmination of the imperial interference that began some eighty years earlier.