Pia Vorhees, a widow left with nothing but her husband's secret, unfinished manuscript, is confused. After Hugh's passing, Pia has faced a number of challenges to her ideas of what awaits people after death. The greatest challenge to her beliefs comes from the strange behavior of her granddaughter, Summer. Summer has always reminded Pia of Hugh. Throughout her young life, Summer has displayed idiosyncratic behaviors that are intimately similar to those of her late grandfather. These similarities become far too significant, however, when Summer wins the Nobel Prize in Literature for the book written by her grandfather a book she should never have known about. Pia does not understand how Summer could have known about the manuscript that she had kept secret since Hugh passed two years before Summer was born. She becomes suspicious of Summer and questions her opinions on life, death, and identity. Could Summer be the reincarnation of Hugh, or could he be communicating with her from beyond the grave?

Families Can Be Murder His family believes he’s dead. The police believe he’s dead. But Ray Scobie, a killer who can’t feel pain, doesn’t die so easily. Betrayed by his own father, near-fatally wounded and lying in hospital as ‘John Doe’, Ray wants payback against his family – who just happen to run one of Glasgow’s most brutal crime syndicates. Family secrets and old grudges collide with the dark motives of an undercover cop who’s strayed beyond his brief to the point of no return. And the cop’s still in thrall to Ray’s favourite cousin, with whom he’s had an illicit relationship, endangering them both.

When a sixteen-year-old girl is murdered, fingers are pointed in every direction. But the killer is closer than anyone could have imagined… When pretty and popular Whitney Dean is brutally stabbed to death, there’s a slew of suspects: her former bestie, her current BFF, and the hunky new English teacher with the shady past. As the investigation drags on with no arrests, dark secrets come to light leaving an entire town on edge, terrified of what might come next. Lurking behind the scenes is a killer with a twisted motive and disturbing past. And when the stunning truth is revealed, no one will see the astonishing final act coming. For fans of Luckiest Girl Alive and Big Little Lies, And When I Die is a tense psychological thriller that will keep you on the edge of your seat and make you question if your friend is really your enemy. . .

In Roll Me Up and Smoke Me When I Die, Willie Nelson muses about his greatest influences and the things that are most important to him, and celebrates the family, friends, and colleagues who have blessed his remarkable journey. Willie riffs on everything, from music to poker, Texas to Nashville, and more. He shares the outlaw wisdom he has acquired over the course of eight decades, along with favorite jokes and insights from family, bandmates, and close friends. Rare family pictures, beautiful artwork created by his son, Micah Nelson, and lyrics to classic songs punctuate these charming and poignant memories. A road journal written in Willie Nelson's inimitable, homespun voice and a fitting tribute to America’s greatest traveling bard, Roll Me Up and Smoke Me When I Die—introduced by another favorite son of Texas, Kinky Friedman—is a deeply personal look into the heart and soul of a unique man and one of the greatest artists of our time, a songwriter and performer whose legacy will endure for generations to come.

“A master investigative stylist and one of the shrewdest commentators on religion’s underexplored realms.”—Michael Washburn, Washington Post In this gorgeous collection of essays that has drawn comparisons to the work of Joan Didion, John McPhee, and Norman Mailer, best-selling author Jeff Sharlet reports back from the far reaches of belief, whether in the clear mountain air of “Sweet Fuck All, Colorado” or in a midnight congregation of anarchists celebrating a victory over police. Like movements in a complex piece of music, Sharlet’s dispatches vibrate with all the madness and beauty, the melancholy and aspirations for transcendence, of American life.

For readers of My Absolute Darling and Fourth of July Creek, a "riveting and timely" Montana story about the unbreakable bond between a young man and the abandoned boy put in his care (Jess Walter), as old grievances of land and blood are visited upon them. Wendell Newman, a young ranch hand in Montana, has recently lost his mother, leaving him an orphan. His bank account holds less than a hundred dollars, and he owes back taxes on what remains of the land his parents owned, as well as money for the surgeries that failed to save his mother's life. An unexpected deliverance arrives in the form of seven-year-old Rowdy Burns, the mute and traumatized son of Wendell's incarcerated cousin. When Rowdy is put under his care, what begins as an ordeal for Wendell turns into a powerful bond, as he comes to love the boy more than he ever thought possible. That bond will be stretched to the breaking point during the first legal wolf hunt in Montana in more than thirty years, when a murder ignites a desperate chase. Caught on the wrong side of a disaffected fringe group, Wendell is determined both to protect Rowdy and to avoid the same violent fate that claimed his own father. A gripping story set in a fractured and misunderstood community, Fall Back Down When I Die is a haunting and unforgettable tale of sacrificial love. Finalist for the Center for Fiction First Novel Prize

An unusually comprehensive study of death as both a social and scientific phenomenon, When We Die is as frank as it is informed. This far-reaching discussion considers mortality from the personal and the universal perspective, generously citing past and present poets and physicians from a diverse and telling range of traditions. Mims, who for two decades served as Professor of Microbiology at London's Guys Hospital, brings a humane, inquisitive, and learned sensibility to his topic. "This book is a light-hearted but wide-ranging survey of death, the causes of death, and the disposal of corpses," writes Mims. "It tells why we die and how we die, and what happens to the dead body and its bits and pieces. It describes the ways corpses are dealt with in different religions and in different parts of the world; the methods for preserving bodies; and the ways—fascinating in their diversity—in which corpses or parts of corpses are used and abused." The volume also explores such crucial death-based notions as the afterlife, the soul, and the prospect of immortality. By way of the book's main focus, Mims continues: "We should take a more matter-of-fact view of death (and) accept it and talk about it more than we do—as we have done with the once taboo subject of sex." This is a work that any student of social anthropology will find equally enlightening and essential.