In a career that has spanned more than 60 years, Sheldon Leonard, among his many other accomplishments, has never lost his sense of humor. It is this quality that provides the driving force of his memoir, recapturing those antic moments and the comic routines, the gags and the pratfalls, and the enormous joie de vivre that have marked his wonderfully creative and eventful life. In television Leonard has made his greatest contribution to popular entertainment. Occasionally as actor, more often as writer, but mainly - and resoundingly - as producer and director, his credits include some of the most successful and beloved TV series of our time, among them The Danny Thomas Show, The Andy Griffith Show, The Dick Van Dyke Show, Gomer Pyle, U.S.M.C., and I Spy. Leonard's account of how these series were created and sustained is in many ways the heart of his memoir.

This may be his toughest battle Jake Abbott, an injured Marine veteran, won a playwright competition with his script Afghanistan. The prize? A full-ride scholarship to the University of Idaho, and the chance to have his play performed that fall by the theater department. He should be overjoyed. Instead he finds himself listening for the sound of the voice of a woman he knows he can't have — theater professor Gail Tremont. She's made that clear — it's a conflict of interest, and she's the producer of his play. He might not like it, but he's honor-bound to accept her decision. Gail Tremont is under attack and not just in petty department politics either. There have been real attacks that put her life in jeopardy. But Gail is tough, and she's not going to back down. They're putting on Afghanistan, and no one is getting in the way of that — not even her wayward heart. Book 4 in the series Second Chance Romances featuring four women friends who have each other's backs. And really? There's little you can't do if you've got friends like that — even take a chance on love again. A slow burn, second chance, small town, contemporary romance. (Be prepared for language, triggers, and politics.)

A powerful, behind-the-scenes look at some of America's all-time favorite television programs during their darkest hours, this study examines how various hit series have absorbed the death of a lead actor during production. Although each television program eventually resumed production, the lead actor's death in each case had a profound impact on the surviving cast and crew and the future of the show itself. Individual chapters explore the events surrounding the deaths of Freddie Prinze (Chico and the Man), John Ritter (8 Simple Rules for Dating My Teenage Daughter), Redd Foxx (The Royal Family), Nicholas Colasanto (Cheers), Phil Hartman (NewsRadio), and many others. Their stories are told through first-hand accounts by those who knew them best, including many of the most talented actors, producers, writers, and directors in television over the past forty years.

On June 14, 1940, German tanks rolled into a silent and deserted Paris. Eight days later, a humbled France accepted defeat along with foreign occupation. The only consolation was that, while the swastika now flew over Paris, the City of Light was undamaged. Soon, a peculiar kind of normality returned as theaters, opera houses, movie theaters and nightclubs reopened for business. This suited both conquerors and vanquished: the Germans wanted Parisians to be distracted, while the French could show that, culturally at least, they had not been defeated. Over the next four years, the artistic life of Paris flourished with as much verve as in peacetime. Only a handful of writers and intellectuals asked if this was an appropriate response to the horrors of a world war. Alan Riding introduces us to a panoply of writers, painters, composers, actors and dancers who kept working throughout the occupation. Maurice Chevalier and Édith Piaf sang before French and German audiences. Pablo Picasso, whose art was officially banned, continued to paint in his Left Bank apartment. More than two hundred new French films were made, including Marcel Carné’s classic, Les Enfants du paradis. Thousands of books were published by authors as different as the virulent anti-Semite Céline and the anti-Nazis Albert Camus and Jean-Paul Sartre. Meanwhile, as Jewish performers and creators were being forced to flee or, as was Irène Némirovsky, deported to death camps, a small number of artists and intellectuals joined the resistance. Throughout this penetrating and unsettling account, Riding keeps alive the quandaries facing many of these artists. Were they “saving” French culture by working? Were they betraying France if they performed before German soldiers or made movies with Nazi approval? Was it the intellectual’s duty to take up arms against the occupier? Then, after Paris was liberated, what was deserving punishment for artists who had committed “intelligence with the enemy”? By throwing light on this critical moment of twentieth-century European cultural history, And the Show Went On focuses anew on whether artists and writers have a special duty to show moral leadership in moments of national trauma.

An introduction to the theater that includes everything from backstage, cast, behind the scenes information, the building, to the actual productions.

Are you ready for the big show? Maisy and her friends show little ones what it’s like to attend their first live performance. Today, Maisy and her friends are off to the theater to see a show starring Flora Fantastica! First they line up to show their tickets. After the usher helps them all find their seats, the lights go down, and Maisy and her friends take in a feast for the senses: dramatic flashing lights, colorful costumes, amazing songs, and lots of exciting characters. From the rise of the curtain through intermission (and snacks) to a standing ovation at the end, Maisy takes her fans on a trip to the theater that makes a new experience familiar and fun.

There has never been a show business book quite like The Show Won't Go On, the first comprehensive study of a bizarre phenomenon: performers who died onstage. From the comedy magician who dropped dead on live television to the amateur thespian who expired during a play called The Art of Murder, the book is a celebration of lives both famous and obscure, as well as a dramatic and accurate recounting of events leading to the moments they died "doing what they loved." The Show Won't Go On covers almost every genre of entertainment and is full of unearthed anecdotes, exclusive interviews, colorful characters, and ironic twists. With dozens of heart-stopping stories, it's the perfect book to dip into on any page.