Book Three in The New Kind of Christian Trilogy In the final installment of The New Kind of Christian Trilogy, Pastor Dan Poole and his friends face and survive their questions, doubts, and dark nights of the soul. They begin to imagine a new vision of God--and a new way of life that is more truly biblical and faithful, more inspiring and challenging, more intellectually satisfying and emotionally healing than conventional religious life. Those seeking more authentic ways to hold and practice Christian faith will find needed hope and insight in this intense and human fictional tale.

A warm-spirited elegy to an abandoned work, brilliantly comic and wryly contemplative, by one of the great artist-investigators of our time. Originally published in 2008 in the groundbreaking Atelos series, To After That (TOAF) introduced a new kind of writing—somewhere between criticism and memoir and philosophy—that Renee Gladman has continued to explore in books like Calamities and My Lesbian Novel. TOAF is a recuperative song, an effort to give space and life to an abandoned project, but it is also, itself, a beautiful meditation on process and distance and duration, and a reminder that time is the subject of any writing.

In the arc of western history, Ancient Greece is at the apex, owing to its grandeur, its culture, and an intellectual renaissance to rival that of Europe. So important is Greece to history that figures such as Plato and Socrates are still household names, and the works of Homer are regularly adapted into movies. The most acclaimed hero of all, though, is Alexander the Great.While historians have studied Alexander’s achievements at length, author and professor Richard A. Billows delves deeper into the obscure periods of Alexander’s life before and after his reign. In the definitive Before and After Alexander, Billows explores the years preceding Alexander, who, Billows argues, without the foundation laid by his father, Philip II of Macedon. would not have had the resources or influence to develop one of the greatest empires in history. Alexander was groomed from a young age to succeed his father, and by the time Philip was assassinated in 336 BC, his great empire was already well underway.The years following Alexander's death were even more momentous. In this ambitious new work, Richard Billows robustly challenges the notion that the political strife that followed was for lack of a leader as competent as Alexander, pointing out instead that there were too many extremely capable leaders who exploited the power vacuum created by Alexander's death to carve out kingdoms for themselves.Above all, in Before and After Alexander, Billows eloquently and convincingly posits a complex view of one of the greatest empires in history, framing it not as the achievement of one man, but the culmination of several generations of aggressive expansion toward a unified purpose.

Rarely a day went by in the dizzy 1990s without some will-paid pundit heralding the triumphant arrival of a New Economy. According to these financial mavens, an unprecedented technological and organisational revolution had extinguished the threat of recession forever. Though much of the rhetoric sounds ridiculous today, few analysts have explored how the New Economy moment emerged from deep within America's economic and ideological machinery - instead, they've preferred to treat it as an episode of mass delusion. Now, with customary irreverence and acuity, journalist Doug Henwood dissects the New Economy, arguing that the delirious optimism was actually a manic set of variations on ancient themes, all promoted from the highest of places. Claims of New Eras have plenty of historical precedents; in this latest act, our modern mythmakers held that technology would overturn hierarchies, democratising information and finance and leading inexorably to a virtual social revolution. But, as Henwood vividly demonstrates, the gap between rich and poor has never been so wide, wealth never so concentrated. lessthan-lustrous reality beneath the gloss of the 1990s boom.

For nearly ten years – indeed more if we include his period of influence under Mandela’s presidency – Thabo Mbeki bestrode South Africa’s political stage. Despite attempts by some in the new ANC leadership to airbrush out his role, there can be little doubt that Mbeki was a seminal figure in South Africa’s new democracy, one who left a huge mark in many fields, perhaps most controversially in state and party management, economic policy, public health intervention, foreign affairs and race relations. If we wish to understand the character and fate of post-1994 South Africa, we must therefore ask: What kind of political system, economy and society has the former President bequeathed to the government of Jacob Zuma and to the citizens of South Africa generally? This question is addressed head-on here by a diverse range of analysts, commentators and participants in the political process. Amongst the specific questions they seek to answer: What is Mbeki’s legacy for patterns of inclusion and exclusion based on race, class and gender? How, if at all, did his presidency reshape relations within the state, between the state and the ruling party and between the state and society? How did he reposition South Africa on the continent and in the world? This book will be of interest to anyone wishing to understand the current political landscape in South Africa, and Mbeki’s role in shaping it.

From Flannery O'Connor and Rona Jaffe Award winner Lori Ostlund, a deeply moving and beautiful debut novel about a man who leaves his longtime partner in New Mexico for a new life in San Francisco, launching him on a tragicomic road trip and into the mysteries of his own Midwestern childhood. Sensitive, big-hearted, and achingly self-conscious, forty-year-old Aaron Englund long ago escaped the confines of his Midwestern hometown, but he still feels like an outcast. After twenty years under the Pygmalion-like direction of his older partner Walter, Aaron at last decides it is time to stop letting life happen to him and to take control of his own fate. But soon after establishing himself in San Francisco--where he alternates between a shoddy garage apartment and the absurdly ramshackle ESL school where he teaches--Aaron sees that real freedom will not come until he has made peace with his memories of Morton, Minnesota: a cramped town whose four hundred souls form a constellation of Aaron's childhood heartbreaks and hopes. After Aaron's father died in the town parade, it was the larger-than-life misfits of his childhood--sardonic, wheel-chair bound dwarf named Clarence, a generous, obese baker named Bernice, a kindly aunt preoccupied with dreams of The Rapture--who helped Aaron find his place in a provincial world hostile to difference. But Aaron's sense of rejection runs deep: when Aaron was seventeen, Dolores--Aaron's loving, selfish, and enigmatic mother--vanished one night with the town pastor. Aaron hasn't heard from Dolores in more than twenty years, but when a shambolic PI named Bill offers a key to closure, Aaron must confront his own role in his troubled past and rethink his place in a world of unpredictable, life-changing forces. Lori Ostlund's debut novel is an openhearted contemplation of how we grow up and move on, how we can turn our deepest wounds into our greatest strengths. Written with homespun charm and unceasing vitality, After the Parade is a glorious new anthem for the outsider.