Marble in Ancient Greece and Rome: Geology, Quarries, Commerce, Artifacts Marble remains the sine qua non raw material of the an cient Greeks and Romans. Beginning in the Bronze Age sculptu re began in marble and throughout classical times the most im portant statues, reliefs, monuments and inscriptions were made of it. Yet, quarry sources changed in time as preferences for different marbles were influenced by local traditions, the pos sibilities of transport, esthetic tastes, and economics. Marble studies and the identification of the provenance of marble can thus reveal much about Greek and Roman history, trade, esthe tics and technology. Persons in many disciplines are studying various aspects of Greek and Roman marble usage. Geologists and geochemists are working on methods to determine the provenance of marble; ar chaeologists are noting changing patterns of import and use in excavation~ and discovering how improving quarrying techniques and prelimihary dressing of the extracted material influenced the final shape of artifacts; ancient historians are now under standing quarry organization and bureaucracies that controlled marble production and trade; art historians are seeing how phy sical characteristics of the stone affected the techniques and style of sculpture; architects and engineers are interested in quarry technologies and usage in building construction. These specialists drawn from many disciplines rarely have an opportu nity to compare notes and see how each can contribute to the research effort of others.

The Goektepe marbles, white, black and two-toned, corroborated by archaeological studies and evidences and by scientific archaeometrical studies have been published in several previous paper on the most renowned international journals, but the idea to publish a monographic volume is based on the suggestion that this kind of publication can emphasize the importance of the Goektepe marble, in fact, the new Roman imperial sculptural marble. The large and intensive field research changed completely our knowledge about Roman marble quarries in ancient Asia Minor, due to the unexpected discovery of more than 30 exploitation sites of roman times. The importance of these quarries consists in the fact that the produced marbles were all intended to be export marbles to be destined not only to other foreign cities of the Roman Empire, but mainly to Rome.

Accompanying CD-ROM contains ... "isotopic and multi-method marble database."--CD-ROM label.

In Ancient Marbles in Naples in the Eighteenth Century Eloisa Dodero aims at documenting the history of numerous private collections formed in Naples during the 18th century, with particular concern for the “Neapolitan marbles” and the circumstances of their dispersal. Research has thus made it possible to formulate a synthesis of the collecting dynamics of Naples in the 18th century, to define the interest of the great European collectors, especially British, in the antiquities of the city and its territory and to draw up a catalogue which for the first time brings together the nucleus of sculptures reported in the Neapolitan collections or coming from irregular excavations, most of which shared the destiny of dispersal, in some cases here traced in definitive fashion.

ForewordMAX HOLLEINESSAYSA HISTORY OF RESEARCH AND SCHOLARSHIP ON THE POLYCHROMY OF ANCIENT SCULPTUREVINZENZ BRINKMANNON THE POLYCHROMY OF ANCIENT SCULPTUREVINZENZ. BRINKMANN AND ULRIKE KOCH-BRINKMANNREDISCOVERING COLORPolychrome Art from Ancient Egypt and the Near EastRENÉE DREYFUSESSAYSTHE DISCOVERY OF THE POLYCHROMY OF ANCIENT GREEK SCULPTUREWinckelmann's Research on Statues and TextsOLIVER PRIMAVESICOLOR AND LIGHTDodwell and Pomardi in GreeceJOHN CAMP.ANCIENT PAINTS AND.PAINTING TECHNIQUES Methods of InvestigationVINZENZ BRINKMANN, ULRIKE KOCH-BRINKMANN, AND HEINRICH PIENINGCATALOGUE OF THE EXHIBITIONBibliographyAcknowledgmentsMAX HOLLEINPhotography Credits.