The Palaeo-Eskimos have left far more than the hundreds of pieces of art recovered by archaeologists and the evidence of human ingenuity and endurance on the perimeter of the habitable world. Their most valuable legacy lies in the realization that these two things occurred together and were part of the same phenomenon. They provide an example of lives lived richly and joyfully amid dangers and insecurities that are beyond the imagination of the present world.

Ancient Scandinavia provides a comprehensive overview of the archaeological history of Denmark, Norway, and Sweden.

The North Pole has long held surprising importance for many of the world’s cultures. Interweaving science and history, this book offers the first unified vision of how the North Pole has shaped everything from literature to the goals of political leaders—from Alexander the Great to neo-Hindu nationalists. Tracing the intersecting notions of poles, polarity, and the sacred from our most ancient civilizations to the present day, Michael Bravo explores how the idea of a North Pole has given rise to utopias, satires, fantasies, paradoxes, and nationalist ideologies across every era, from the Renaissance to the Third Reich. The Victorian conceit of the polar regions as a vast empty wilderness—a bastion of adventurous white males battling against the elements—is far from the only polar vision. Bravo paints a variety of alternative pictures: of a habitable Arctic crisscrossed by densely connected networks of Inuit trade and travel routes, a world rich in indigenous cultural meanings; of a sacred paradise or lost Eden among both Western and Eastern cultures, a vision that curiously (and conveniently) dovetailed with the imperial aspirations of Europe and the United States; and as the setting for tales not only of conquest and redemption, but also of failure and catastrophe. And as we face warming temperatures, melting ice, and rising seas, Bravo argues, only an understanding of the North Pole’s deeper history, of our conception of it as both a sacred and living place, can help humanity face its twenty-first-century predicament.

Bitter cold and constant snow. Polar bears, seals, and killer whales. Victor Frankenstein chasing his monstrous creation across icy terrain in a dogsled. The arctic calls to mind a myriad different images. Consisting of the Arctic Ocean and parts of Canada, the United States, Russia, Greenland, Finland, Norway and Sweden, the arctic possesses a unique ecosystem—temperatures average negative 29 degrees Fahrenheit in winter and rarely rise above freezing in summer—and the indigenous peoples and cultures that live in the region have had to adapt to the harsh weather conditions. As global temperatures rise, the arctic is facing an environmental crisis, with melting glaciers causing grave concern around the world. But for all the renown of this frozen region, the arctic remains far from perfectly understood. In A History of the Arctic, award-winning polar historian John McCannon provides an engaging overview of the region that spans from the Stone Age to the present. McCannon discusses polar exploration and science, nation-building, diplomacy, environmental issues, and climate change, and the role indigenous populations have played in the arctic’s story. Chronicling the history of each arctic nation, he details the many failed searches for a Northwest Passage and the territorial claims that hamper use of these waterways. He also explores the resources found in the arctic—oil, natural gas, minerals, fresh water, and fish—and describes the importance they hold as these resources are depleted elsewhere, as well as the challenges we face in extracting them. A timely assessment of current diplomatic and environmental realities, as well as the dire risks the region now faces, A History of the Arctic is a thoroughly engrossing book on the past—and future—of the top of the world.

From the origins of the Arctic to its contemporary life, this book is an intriguing survey of human achievement in a place relatively unknown to the rest of the world. For more than 25,000 years, Arctic peoples have made warm and hospitable homes in diverse and innovative ways out of ecosystems of ice. For the first time in their long history, however, Arctic communities are facing the real possibility that the foundations of their way of life—sea ice and permafrost—will soon disappear. Published to coincide with a major exhibition at the British Museum, Arctic: culture and climate presents the history of the Arctic through the lens of climate and weather, and features a variety of fascinating objects, many of which are published here for the first time, including sealskin kayaks, drums used by shamans, traditional costumes, and contemporary art. This remarkable book explores the origins of Arctic peoples, early trade relationships between cultural groups, and relationships with animals, weather and their environments. It examines the strategies that indigenous people have used to deal with rapid transformations brought about by European explorations and colonial governments and sheds light on how these same strategies are being utilized today to mitigate the effects of global climate change. Bringing together indigenous and non-indigenous interdisciplinary scholars, this book is an arresting insight into the ways of life and material culture of Arctic peoples.

This book focuses specifically on the experience and protection of indigenous, and particularly Sámi sacred sites in the Arctic. Sacred sites are being increasingly recognized as important reservoirs of Arctic cultural and biological diversity, as a means for the transmission of culture and identity, and a tool for the preservation of fragile northern social-ecological systems. Yet, legal protection of Arctic sacred sites and related policies are often still lacking or absent. It becomes increasingly difficult for site custodians in the Arctic to protect these ancient sites, due to disruptive changes, such as climate change, economic developments and infrastructural development. With contributions from Sámi and non-Sámi scholars from Arctic regions, this book provides new insights into our understanding of the significance and legal protection of sacred sites for Sámi of the Arctic. It examines the role of international human rights, environmental law, and longstanding customary law that uphold Arctic indigenous peoples’ rights in conservation, and their associated management systems. It also demonstrates the complex relationships between indigenous knowledge, cultural/spiritual values and belief systems and nature conservation. The book looks forward to providing guidelines for future research and practice for improved integration of the ethical, cultural and spiritual values of nature into law, policy, planning and management. As such, this book offers a contribution to upholding the sanctity of these sites, their cultural identity and the biodiversity associated with them.

European narratives of the Atlantic New World tell stories of people and things: strange flora, wondrous animals, and sun-drenched populations for Europeans to mythologize or exploit. Yet between 1500 and 1700 one region upended all of these conventions in travel writing, science, and, most unexpectedly, art: the Arctic. Icy, unpopulated, visually and temporally “abstract,” the far North – a different kind of terra incognita for the Renaissance imagination – offered more than new stuff to be mapped, plundered, or even seen. Neither a continent, an ocean, nor a meteorological circumstance, the Arctic forced visitors from England, the Netherlands, Germany, and Italy, to grapple with what we would now call a “nonsite,” spurring dozens of previously unknown works, objects, and texts – and this all in an intellectual and political milieu crackling with Reformation debates over art’s very legitimacy. Into the White uses five case studies to probe how the early modern Arctic (as site, myth, and ecology) affected contemporary debates of perception and matter, of representation, discovery, and the time of the earth – long before the nineteenth century romanticized the polar landscape. In the far North, this book contends, the Renaissance exotic became something far stranger than the marvelous or the curious, something darkly material and unmasterable, something beyond the idea of image itself.