Reciting the Goddess presents the first critical study of the Svasthanivratakatha (SVK), a sixteenth-century Hindu narrative textual tradition. The extensive SVK manuscript tradition offers a rare opportunity to observe the making of a specific, distinct Hindu religious tradition. Jessica Vantine Birkenholtz argues that the SVK serves as a lens through which we can observe the creation of modern 'Hinduism' in the Himalayas, as the text both mirrored and informed key moments in the self-conscious creation of Nepal as the 'world's only Hindu kingdom' in the late medieval and early modern period. Birkenholtz mines the literary historiography that is contained within the SVK text itself, chronicling the text's literary and narrative development as well as the development of the Svasthani goddess tradition. She outlines the process whereby the SVK gradually transformed into a Purana text, and became a critical source for Nepali Hindu belief and identity. She also examines the elusive character of the goddess Svasthani whose identity is tied to the pan-Hindu goddess tradition, and the representation of women in the SVK and the ways in which the text influenced local and regional debates on the ideal of Hindu womanhood. Reciting the Goddess presents Nepal's celebrated SVK as a micro-level illustration of the powerful ways in which people, place, and literature intersect to produce new ideas and concepts of identity and place, even in a historically non-literate culture.

Hindu mythological text.

Exploring the folk religion of India and the role of girls and women within it, author June McDaniel focuses on the brata (vrata) ritual in which moral lessons are taught and goddesses are revealed. Bratas are performed to gain such goals as a healthy family, a good husband, and a happy life. They are also performed so that the performers (bratinis) develop such virtues as devotion, humility, and compassion.This book presents data from fieldwork, along with brata stories, songs, poems, and ritual activities. It discusses Bengali folk religion, offers an example of ritual worship in folk Hinduism, and surveys a variety of bratas. The author analyzes the similarities and differences among these rituals in low-caste village life and in high-caste Hindu tradition, and notes that the development of these rituals involves a form of continuing divine revelation with women as the primary transmitters. Bratas act to maintain traditional Hindu values, but also emphasize the power of women, whose virtues can save their husbands from hell worlds and their families from disasters.

Includes 82 stunning black-and-white images of rarely photographed structures.Published in association with the American Institute of Indian Studies

Indo-European Fire Rituals is a comparative study of Indo-European fire rituals from modern folklore and ethnography in Scandinavia and archaeological material in Europe from the Bronze Age onwards to the Vedic origins of cosmos in India and today’s cremations on open pyres in Hinduism. Exploring Indo-European fire rituals and sacrifices throughout history and fire in its fundamental role in rites and religious practices, this book analyses fire rituals as the unifying structure in time and space in Indo-European cultures from the Bronze Age onwards. It asks the question how and why was fire the ultimate power in culture and cosmology? Fire as an agent and divinity was fundamental in all major sacrifices. In Europe, ritual fires in relation to agriculture and fertility may also explain the enigma of cremation. Cremated remains were ground and used in fertility rituals, and ancestral fires played an essential role in metallurgy and the creation of cosmos. Thus, the role of fire rituals in culture and cosmology enables a unique understanding of historic developmental processes. For students and academics studying Indo-European culture history from the Bronze Age onwards, this book has a broad interdisciplinary audience including archaeology, ethnography, folklore, religious and Indo-European studies.