The Sanskrit Puranas and epics are replete with stories of the avatars, incarnations of the god Visnu in various forms to rid the universe of malevolent forces and to restore the proper cosmic balance. As Narasimha, half-man half-lion, Visnu finds a loophole in the pact of invulnerability the demon Hiranaipu has received from god Brahma, and rends the demon apart with his claws. As the brahmin dwarf, Vamana, Visnu deceives the demon Bali with his diminutive appearance and thwarts Bali's attempt to gain universal sovereignty. After carefully analyzing the myths of Vamana and Narasimha, Deborah Soifer grounds her study in the textual history of each avatar and its myth, in their religious contexts, and in the intricate cosmology of the classical period of Hinduism. Contrasting the bestial persona of Narasimha with Vamana's priestly appearance and his associations with early cosmologic themes, she finds complementarity and significance in this pair as they are viewed in the larger context of periodic cosmic destructions and recreations. While focusing primarily on these two mythological figures, Soifer's work explores the relationship between dharma and the 'devious' acts of gods; the interplay between cosmic and 'sociocosmic' levels of reality; and the relationship between cosmology, theology, and soteriology in a religious worldview.

Indo-European Fire Rituals is a comparative study of Indo-European fire rituals from modern folklore and ethnography in Scandinavia and archaeological material in Europe from the Bronze Age onwards to the Vedic origins of cosmos in India and today’s cremations on open pyres in Hinduism. Exploring Indo-European fire rituals and sacrifices throughout history and fire in its fundamental role in rites and religious practices, this book analyses fire rituals as the unifying structure in time and space in Indo-European cultures from the Bronze Age onwards. It asks the question how and why was fire the ultimate power in culture and cosmology? Fire as an agent and divinity was fundamental in all major sacrifices. In Europe, ritual fires in relation to agriculture and fertility may also explain the enigma of cremation. Cremated remains were ground and used in fertility rituals, and ancestral fires played an essential role in metallurgy and the creation of cosmos. Thus, the role of fire rituals in culture and cosmology enables a unique understanding of historic developmental processes. For students and academics studying Indo-European culture history from the Bronze Age onwards, this book has a broad interdisciplinary audience including archaeology, ethnography, folklore, religious and Indo-European studies.

This book on the Tripurārahasya, a South Indian Sanskrit work which occupies a unique place in the Śākta literature, is a study of the Śrīvidyā and Śākta traditions in the context of South Indian intellectual history in the late middle ages. Associated with the religious tradition known as Śrīvidyā and devoted to the cult of the Goddess Tripurā, the text was probably composed between the 13th and the 16th century CE. The analysis of its narrative parts addresses questions about the relationships between Tantric and Purāṇic goddesses. The discussion of its philosophical and theological teachings tackles problems related to the relationships between Sākta and Śaiva traditions. The stylistic devices adopted by the author(s) of the work deal uniquely with doctrinal and ritual elements of the Śrīvidyā through the medium of a literary and poetic language. This stylistic peculiarity distinguishes the Tripurārahasya from many other Tantric texts, characterized by a more technical language. The book is intended for researchers in the field of Asian Studies, Indology, Philosophical, Theological or Religious Studies, Hindu Studies, Tantric Studies and South Asian Religion and Philosophy, in particular those interested in Śākta and Śaiva philosophic-religious traditions.

This book looks at the representation and practice of chastity in selective ancient Indian texts. It studies how and when the concept originated and in what ways it was intertwined with the social, cultural, and economic notions of Indian society. Drawing on seminal Indian texts such as the MahāPurāṇas, Rāmāyaṇa, Mahābhārata, Sattasaī and the Jātakas, the volume delves into the social and reproductive rights of women through an examination of the norms of chastity, virginity, and Pātivratya, which were construed according to a patriarchal hierarchy of the society and implemented as a means of strengthening patriarchal authority. It also examines the interinfluence of various religious traditions that emerged on the very concept of chastity and the ideologies they later gave rise to. A comprehensive study of sexuality and gender in early India, the book will be indispensable to students, teachers, and researchers of gender studies, literature, women’s studies, women’s rights, feminism, South Asian studies, and social history of Ancient India.

The Purana is a class of literature that treats ancient religion, philosophy, history, sociology, politics and other subjects. It is an Encyclopaedia of various branches of knowledge and ancient wisdom. It has been defined as a class of literature that contains material on the topics of Creation, Dissolution of Manus, Ages of Manus, Genealogies and the History of glorious kings. For dealing primarily with these subjects it has been called Pancalaksana a little that was incorporated in the Puranas themselves and had become popular by the Fifth Century A.D., for it was included by Amarasimha in his lexicon 'Amarakosa'. But as the process of interpolation continued, the Pancalaksana definition was found inadequate. The Puranic redactors adopted a Dasalaksana definition that suited the contemporary text. Still, the dynamic forces were at work and the process of insertion, modification and abridgement went on and it was soon discovered that the Dasalaksana definition too fell short of an actual fact. It was found that the Puranas contained certain aspects that were not covered by any of the five or ten characteristics. Besides some of the characteristics covered by the Pancalaksana or Dasalaksana definition were not found in certain Puranas. In fact, the Purana as a class represents the different phases and aspects of the life of diverse ages. It is impossible to adopt a standard definition for the class of literary composition that contains heterogeneous phases and aspects. Moreover, a definition framed on the numerical basis of points is bound to be imperfect. The Puranas are divided into two classes the Mahapuranas and the Upapuranas. Each class consists of eighteen Puranas. Thus the number of the Puranas is thirty-six.