The book presents the historical evolution of gold mining activities in the Egyptian and Nubian Desert (Sudan) from about 4000 BC until the Early Islamic Period (~800–1350 AD), subdivided into the main classical epochs including the Early Dynastic – Old and Middle Kingdoms – New Kingdom (including Kushitic) – Ptolemaic – Roman and Early Islamic. It is illustrated with many informative colour images, maps and drawings. An up to date comprehensive geological introduction gives a general overview on the gold production zones in the Eastern Desert of Egypt and northern (Nubian) Sudan, including the various formation processes of the gold bearing quartz veins mined in these ancient periods. The more than 250 gold production sites presented, are described both, from their archaeological (as far as surface inventory is concerned) and geological environmental conditions, resulting in an evolution scheme of prospection and mining methods within the main periods of mining activities. The book offers for the first time a complete catalogue of the many gold production sites in Egypt and Nubia under geological and archaeological aspects. It provides information about the importance of gold for the Pharaohs and the spectacular gold rush in Early Arab times.

This lovely volume illustrates in color superb examples of Greek, Etruscan, and Roman jewelry. Major types of Greek and Etruscan jewelry from the seventh to the first centuries B.C. are well represented, along with a few Roman imperial works. In exquisite miniature, these ornaments reflect the stylistic history of more monumental art: they are sculptures on a small scale. Underneath the shining splendor these gold objects -- works originally meant to be worn by men and women as a sign of wealth and power in life -- lies a more fundamental meaning. Gold, a mysterious power, was a means for people to communicate with the gods who rule human life. The skill of the ancient goldsmith has never been equaled. Although the techniques used are for the most part understood, the virtuosity and intricacy of manufacture have vet to be duplicated.

Traces the story of how ancient cultures envisioned artificial life, automata, self-moving devices and human enhancements, sharing insights into how the mythologies of the past related to and shaped ancient machine innovations.

A unique study of the engineering and tools used to create Egyptian monuments • Presents a stone-by-stone analysis of key Egyptian monuments, including the statues of Ramses II and the tunnels of the Serapeum • Reveals that highly refined tools and mega-machines were used in ancient Egypt From the pyramids in the north to the temples in the south, ancient artisans left their marks all over Egypt, unique marks that reveal craftsmanship we would be hard pressed to duplicate today. Drawing together the results of more than 30 years of research and nine field study journeys to Egypt, Christopher Dunn presents a stunning stone-by-stone analysis of key Egyptian monuments, including the statue of Ramses II at Luxor and the fallen crowns that lay at its feet. His modern-day engineering expertise provides a unique view into the sophisticated technology used to create these famous monuments in prehistoric times. Using modern digital photography, computer-aided design software, and metrology instruments, Dunn exposes the extreme precision of these monuments and the type of advanced manufacturing expertise necessary to produce them. His computer analysis of the statues of Ramses II reveals that the left and right sides of the faces are precise mirror images of each other, and his examination of the mysterious underground tunnels of the Serapeum illuminates the finest examples of precision engineering on the planet. Providing never-before-seen evidence in the form of more than 280 photographs, Dunn’s research shows that while absent from the archaeological record, highly refined tools, techniques, and even mega-machines must have been used in ancient Egypt.

The book describes current research into all aspects of craftwork in ancient Egypt.