“One of the really remarkable books of our day”—the story of the Roman emperor on which the award-winning BBC TV series was based (The New York Times). Once a rather bookish young man with a limp and a stammer, a man who spent most of his time trying to stay away from the danger and risk of the line of ascension, Claudius seemed an unlikely candidate for emperor. Yet, on the death of Caligula, Claudius finds himself next in line for the throne, and must stay alive as well as keep control. Drawing on the histories of Plutarch, Suetonius, and Tacitus, noted historian and classicist Robert Graves tells the story of the much-maligned Emperor Claudius with both skill and compassion. Weaving important themes throughout about the nature of freedom and safety possible in a monarchy, Graves’s Claudius is both more effective and more tragic than history typically remembers him. A bestselling novel and one of Graves’ most successful, I, Claudius has been adapted to television, film, theatre, and audio. “[A] legendary tale of Claudius . . . [A] gem of modern literature.” —Publishers Weekly (starred review)

Selene has grown up in a palace on the Nile with her parents, Cleopatra & Mark Antony--the most brilliant, powerful rulers on earth. But the jealous Roman Emperor Octavianus wants Egypt for himself, & when war finally comes, Selene faces the loss of all she's ever loved. Forced to build a new life in Octavianus's household in Rome, she finds herself torn between two young men and two possible destinies--until she reaches out to claim her own.This stunning novel brings to life the personalities & passions of one of the greatest dramas in history, & offers a wonderful new heroine in Selene.

The incredible untold story of the children of Cleopatra, Egypt’s most powerful and notorious ruler—a novel that “brims over with rich details of Roman life, historical personages, and political turmoil” (Romantic Times)—from the internationally bestselling author of Nefertiti “Fast-paced, intriguing, and beautifully written.”—The Boston Globe The marriage of Marc Antony and Cleopatra is one of the greatest love stories of all time. Feared and hunted by the powers in Rome, the lovers choose to die by their own hands as the triumphant armies of Antony’s rival, Octavian, sweep into Egypt. When their orphaned children are taken in chains to Rome, only two—the ten-year-old twins Selene and Alexander—survive the journey. As they come of age, they are buffeted by the personal ambitions of Octavian’s family and court, by the ever-present threat of slave rebellion, and by the longings deep within their own hearts. Recounted in Selene’s youthful and engaging voice, Michelle Moran introduces a compelling cast of historical characters: Octavia, the emperor Octavian’s kind and compassionate sister, abandoned by Marc Antony for Cleopatra; Livia, Octavian’s bitter and jealous wife; Marcellus, Octavian’s handsome, flirtatious nephew and heir apparent; Tiberius, Livia’s sardonic son and Marcellus’s great rival for power; and Juba, Octavian’s watchful aide, whose honored position at court has far-reaching effects on the lives of the young Egyptian royals. Based on meticulous research, Cleopatra’s Daughter is a fascinating portrait of imperial Rome and of the people and events of this most tumultuous period in human history. Emerging from the shadows of the past, Selene must confront the same forces that destroyed her mother and struggle to meet a different fate.

Prose fiction, although not always associated with classical antiquity, flourished in the early Roman Empire, not only in realistic Latin novels but also and indeed principally in the Greek ideal romance of love and adventure. Enormously popular in the Renaissance, these stories have been less familiar in later centuries. Translations of the Greek stories were not readily available in English before B.P. Reardon’s first appeared in 1989.Nine complete stories are included here as well as ten others, encompassing the whole range of classical themes: romance, travel, adventure, historical fiction, and comic parody. A foreword by J.R. Morgan examines the enormous impact this groundbreaking collection has had on our understanding of classical thought and our concept of the novel.

It turned up in a North Dakota wheat field: a triangle, like a shark's fin, sticking up from the black loam. Tom Lasker did what any farmer would have done. He dug it up. And discovered a boat, made of a fiberglass-like material with an utterly impossible atomic number. What it was doing buried under a dozen feet of prairie soil two thousand miles from any ocean, no one knew. True, Tom Lasker's wheat field had once been on the shoreline of a great inland sea, but that was a long time ago -- ten thousand years ago. A return to science fiction on a grand scale, reminiscent of the best of Heinlein, Simak, and Clarke, Ancient Shores is the most ambitious and exciting SF triumph of the decade, a bold speculative adventure that does not shrink from the big questions -- and the big answers.

Helen of Sparta wants to be more than a princess and a pretty face—she wants to be a hero. The traditions of ancient Sparta would have Helen know her place: a beautiful princess, a loyal daughter, a perfect bride. But Helen wants adventure, and she's not looking back. Not one to count on the gods to take care of her, she sets out to see the world and seek her own fate with steely determination. Her rebellious will makes Helen dangerous enemies—such as the self-proclaimed "son of Zeus" Theseus—but it also gains her true friends, from the famed huntress Atalanta to the young priestess who is the Oracle of Delphi. If she is strong enough, if she is cunning enough, if she is brave enough, Helen will find her destiny . . . but what does destiny have in store for her? In Nobody's Princess, author Esther Friesner deftly weaves together history and myth as she takes a new look at the girl who will become Helen of Troy. The back of the book includes further facts about Helen of Troy and Ancient Greece. Hand to readers who love Tamora Pierce and Leigh Bardugo, particularly if they just finished Wonder Woman: Warbringer and want to know more about Helen of Troy. "A must-read for fans of fantasy and mythology."—VOYA "Along the way, Friesner skillfully exposes larger issues of women's rights, human bondage, and individual destiny. It's a rollicking good story."—Booklist

From classics and history to Jewish rabbinic narratives and the canonical and noncanonical gospels of earliest Christianity, the relevance of studying the novel of the later classical periods of Greek and Rome is widely endorsed. Ancient novels contain insights beyond literary theories and philosophical musings to new sources for understanding the popular culture of antiquity. Some scholars, in fact, refer to ancient novels as “alternative histories,” for they tell history implicitly rather than with the intentional biases of the historian. The Novel in the Ancient World surveys the new approaches and insights to the ancient novel and wrestles with issues such as the development, transformation, and christianization of the novel (Spirit-inspired versus inspired by the Muses). This publication has also been published in hardback, please click here for details.