In this wide-ranging collection of essays Ronald E. Osborn explores the politically subversive and nonviolent anarchist dimensions of Christian discipleship in response to dilemmas of power, suffering, and war. Essays engage texts and thinkers from Homer's Iliad, the Hebrew Bible, and the New Testament to portraits of Dietrich Bonhoeffer, Noam Chomsky, and Elie Wiesel. This book also analyzes the Allied bombing of civilians in World War II, the peculiar contribution of the Seventh-day Adventist apocalyptic imagination to Christian social ethics, and the role of deceptive language in the Vietnam War. From these and other diverse angles, Osborn builds the case for a more prophetic witness in the face of the violence of the "principalities and powers" in the modern world. This book will serve as an indispensible primer in the political theology of the Adventist tradition, as well as a significant contribution to radical Christian thought in biblical, historical, and literary perspectives.

In this wide-ranging collection of essays Ronald E. Osborn explores the politically subversive and nonviolent anarchist dimensions of Christian discipleship in response to dilemmas of power, suffering, and war. Essays engage texts and thinkers from Homer's Iliad, the Hebrew Bible, and the New Testament to portraits of Dietrich Bonhoeffer, Noam Chomsky, and Elie Wiesel. This book also analyzes the Allied bombing of civilians in World War II, the peculiar contribution of the Seventh-day Adventist apocalyptic imagination to Christian social ethics, and the role of deceptive language in the Vietnam War. From these and other diverse angles, Osborn builds the case for a more prophetic witness in the face of the violence of the "principalities and powers" in the modern world. This book will serve as an indispensible primer in the political theology of the Adventist tradition, as well as a significant contribution to radical Christian thought in biblical, historical, and literary perspectives.

Apocalypse. To most, the word signifies destruction, death, the end of the world, but the literal definition is "revelation" or "unveiling," the basis from which renowned theologian René Girard builds his own view of Biblical apocalypse. Properly understood, Girard explains, Biblical apocalypse has nothing to do with a wrathful or vengeful God punishing his unworthy children, and everything to do with a foretelling of what future humans are making for themselves now that they have devised the instruments of global self-destruction. In this volume, some of the major thinkers about the interpretation of politics and religion— including Eric Voegelin, Leo Strauss, and Carl Schmitt— are scrutinized by some of today's most qualified scholars, all of whom are thoroughly versed in Girard’s groundbreaking work. Including an important new essay by Girard, this volume enters into a philosophical debate that challenges the bona fides of philosophy itself by examining three supremely important philosopher of the twentieth century. It asks how we might think about politics now that the attacks of 9/11 have shifted our intellectual foundations and what the outbreak of rabid religion might signify for international politics.

The interrelationship of the ideas of apocalypse and millennium is a dominant concern of British Romanticism. The Book of Revelation provides a model of history in which apocalypse is followed by millennium, but in their various ways the major Romantic poets - Blake, Wordsworth, Coleridge, Byron, Keats, and Shelley - question and even at times undermine the possibility of a successful secularization of this model. No matter how confidently the sequence of apocalypse and millennium seems to be affirmed in some of the major works of the period, the issue is always in doubt: the fear that millennium may not ensue emerges as a significant, if often repressed, theme in the great works of the period. Related to it is the tension in Romantic poetry between conflicting models of history itself: history as teleology, developing towards end time and millennium, and history as purposeless cycle. This subject-matter is traced through a selection of works by the major poets, partly through an exposition of their underlying intellectual traditions, and partly through a close examination of the poems themselves.

Apocalypse, Revisited: A Critical Study on End Times explores why and how Apocalypse has been revisited in myriad contexts from literature to history, religion to social life and media to popular culture.