Anarcho-Blackness seeks to define the shape of a Black anarchism. Classical anarchism tended to avoid questions of race—specifically Blackness—as well as the intersections of race and gender. Bey addresses this lack, not by constructing a new cannon of Black anarchists but by outlining how anarchism and Blackness already share a certain subjective relationship to power, a way of understanding and inhabiting the world. Through the lens of Black feminist and transgender theory, he explores what we can learn by making this kinship explicit, including how anarchism itself is transformed by the encounter. If the state is predicated on a racialized and gendered capitalism, its undoing can only be imagined and undertaken by a political theory that takes race and gender seriously.

In Black Trans Feminism Marquis Bey offers a meditation on blackness and gender nonnormativity in ways that recalibrate traditional understandings of each. Theorizing black trans feminism from the vantages of abolition and gender radicality, Bey articulates blackness as a mutiny against racializing categorizations; transness as a nonpredetermined, wayward, and deregulated movement that works toward gender’s destruction; and black feminism as an epistemological method to fracture hegemonic modes of racialized gender. In readings of the essays, interviews, and poems of Alexis Pauline Gumbs, jayy dodd, and Venus Di’Khadijah Selenite, Bey turns black trans feminism away from a politics of gendered embodiment and toward a conception of it as a politics grounded in fugitivity and the subversion of power. Together, blackness and transness actualize themselves as on the run from gender. In this way, Bey presents black trans feminism as a mode of enacting the wholesale dismantling of the world we have been given.

Marquis Bey’s debut collection, Them Goon Rules, is an un-rulebook, a long-form essayistic sermon that meditates on how Blackness and nonnormative gender impact and remix everything we claim to know. A series of essays that reads like a critical memoir, this work queries the function and implications of politicized Blackness, Black feminism, and queerness. Bey binds together his personal experiences with social justice work at the New York–based Audre Lorde Project, growing up in Philly, and rigorous explorations of the iconoclasm of theorists of Black studies and Black feminism. Bey’s voice recalibrates itself playfully on a dime, creating a collection that tarries in both academic and nonacademic realms. Fashioning fugitive Blackness and feminism around a line from Lil’ Wayne’s “A Millie,” Them Goon Rules is a work of “auto-theory” that insists on radical modes of thought and being as a refrain and a hook that is unapologetic, rigorously thoughtful, and uncompromising.

Both theoretical and pragmatic, this refreshingly savvy book charts a course for the Black Lives Matter generation. In the United States, both struggles against oppression and the gains made by various movements for equality have often been led by Black people. Still, though progress has regularly been fueled by radical Black efforts, liberal politics are based on ideas and practices that impede the continued progress of Black America. Building on their original essay “The Anarchism of Blackness,” Samudzi and Anderson show the centrality of anti-Blackness to the foundational violence of the United States and to the racial structures upon which it is based as a nation. Racism is not, they say, simply a product of capitalism. Rather, we must understand how anti-Blackness shaped the contours and logics of European colonialism and its many legacies, to the extent that “Blackness” and “citizenship” are exclusive categories. As Black As Resistance makes the case for a new program of self-defense and transformative politics for Black Americans, one rooted in an anarchistic framework that the authors liken to the Black experience itself. This book argues against compromise and negotiation with intolerance. It is a manifesto for everyone who is ready to continue progressing towards liberation. “As Black as Resistance is an urgently needed book . . . a call to action through an embrace of the anarchy of blackness as a recognition and a refusal of the deathly logics of liberalism and consumption. In the face of the ever expanding carceral state, levels of inequality, environmental degradation, and resurgent fascism, this book offers a map to imagining the liberated futures that we can and must and do make.” —Christina Sharpe, author of In the Wake: On Blackness and Being

This timely book introduces readers to anarchism's relationship to broader history, offering not only a history of anarchism in the modern period, but a critical introduction to debates on anarchist history. Attention thus far has been biased towards intellectual history and key thinkers such as Proudhon, Bakunin and Kropotkin, but these studies have neglected the social movements and spaces which have seen 'anarchy in action' and marginalised the role of women and voices beyond Europe and the United States. Debating Anarchism offers a different perspective, engaging with women's anarchist experiences and grounding recent historical work on anarchism in a global perspective. Interrogating anarchism as a concept, a movement and a social reality the author guides the reader through the origins of anarchism in the age of revolutions, assessing experiences of anarchy in Russia, Spain, India and beyond. Tracing the development of 'the beautiful idea' through the 20th century, Finn explores anarchism in the Cold War world through to postmodernity and the 21st century. This volume situates anarchism in the broader historiographies of the modern world, offering a unique starting point for students of history, politics and philosophy seeking to understand the abiding power of 'the beautiful idea' – a society without government.

"An open letter from your black friend to you about race, racism, friendship, and alienation"--Back cover.

"Interrupting our political orthodoxies and engaging an alternative origin story of the modern carceral state, Jump attends to the disruptions of confinement that constitute the racial and gendered hierarchies of the antiblack world and proposes a black anarchist politics of refusal that helps us to think dissent anew"--