Diploma Thesis from the year 2016 in the subject English Language and Literature Studies - Literature, grade: 5.00, New Bulgarian University, language: English, abstract: The question posed in this thesis concerns the usage of idioms in the everyday language, as well as in the book “The Monogram Murders”. This paper, therefore, argues that in the non-literal language, some differences are obvious, and thus we can recognize an idiom quite easily. However, there are differences and divisibilities in the idioms themselves - some of them bear the meaning of their compounds while others are simply composed of words that cannot be used with their literal meaning, especially in the context of the idiom itself. The language as a system of communication has both literal and often figurative meanings. However, in the historical grammaticism such a meaning was often used in order to give notions like metaphors, similes, proverbs and idioms. Most of them often carry a metaphorical sense that makes their comprehension difficult, as in fact their meaning cannot be inferred/guessed from the meaning of their constituent parts. Taking all of the abovementioned into account, in the present thesis I will present the results of the research I have made based on the idiomatic usage in the novel of Agatha Christie “The Monogram Murders”. Due to the extensive length of my research, I will focus on the idioms that have made their impression on me and on their translation into Bulgarian. The aim of this graduate thesis is to evaluate and describe the idiomatic expressions used in the novel “The Monogram Murders” by Agatha Christie. That kind of analysis is particularly interesting as it concerns the work of art of а famous writer that from а semantic point of view describes the ideas composing the whole book.

With six Academy Awards, four entries on the American Film Institute's list of 100 greatest American movies, and more titles on the National Historic Register of classic films deemed worthy of preservation than any other director, Billy Wilder counts as one of the most accomplished filmmakers ever to work in Hollywood. Yet how American is Billy Wilder, the Jewish émigré from Central Europe? This book underscores this complex issue, unpacking underlying contradictions where previous commentators routinely smoothed them out. Wilder emerges as an artist with roots in sensationalist journalism and the world of entertainment as well as with an awareness of literary culture and the avant-garde, features that lead to productive and often highly original confrontations between high and low.

Provides an introduction to American pulp fiction during the twentieth century with brief author biographies and lists of their works.

Media semiotics is a valuable method of focusing on the hidden meanings within media texts. This new edition brings Understanding Media Semiotics fully up to date and is written for students of the media, of linguistics and those interested in studying the ever-changing media in more detail. Offering an in-depth guide to help students investigate and understand the media using semiotic theory, this book assumes little previous knowledge of semiotics or linguistics, avoiding jargon and explaining the issues step by step. With in-depth case studies, practical accounts and directed further reading, Understanding Media Semiotics provides students with all the tools they need to understand semiotic analysis in the context of the media. Semiotic analysis is sometimes seen as complicated and difficult to understand; Marcel Danesi shows that on the contrary it can be readily understood and can greatly enrich students' understanding of media texts, from print media right through to the internet and apps.

This collection tells the story of the rise of Rome from its origins as a cluster of villages to the foundation of the Roman Empire by Augustus. Chapters deal with subjects such as philosophy, arts, the conquests of Rome, Roman Emperors, Roman literature, Roman historians, and much more.

Written especially for students and assuming no prior knowledge of the subject, this book aims to provide a comprehensive introduction to early 20th-century fiction.

Mithridates VI Eupator, the last king of Pontos, was undoubtedly one of the most prominent figures in the late Hellenistic period. Throughout his long reign (120-63 BC), the political and cultural landscape of Asia Minor and the Black Sea area was reshaped along new lines. The authors present new archaeological research and new interpretations of various aspects of Pontic society and its contacts with the Greek world and its eastern neighbours and investigate the background for the expansion of the Pontic Kingdom that eventually led to the confrontation with Rome.