The Ottoman Empire began in 1300 under the almost legendary Osman I, reached its apogee in the sixteenth century under Suleiman the Magnificent, whose forces threatened the gates of Vienna, and gradually diminished thereafter until Mehmed VI was sent into exile by Mustafa Kemal (Ataturk). In this definitive history of the Ottoman Empire, Lord Kinross, painstaking historian and superb writer, never loses sight of the larger issues, economic, political, and social. At the same time he delineates his characters with obvious zest, displaying them in all their extravagance, audacity and, sometimes, ruthlessness.

Based on micro-level research of the District of Jerusalem, this book addresses some of the most crucial questions concerning the Ottoman empire in a time of crisis and disorientation: decline and decentralization, the rise of the notable elite, the urban-rural-pastoral nexus, agrarian relations and the encroachment of European economy. At the same time it paints a vivid picture of life in an Ottoman province. By integrating court record, petitions, chronicles and even local poetry, the book recreates a historical world that, though long vanished, has left an indelible imprint on the city of Jerusalem and its surroundings.

Ottoman Brothers explores Ottoman collective identity, tracing how Muslims, Christians, and Jews became imperial citizens together in Palestine following the 1908 revolution.

A new approach to late Ottoman visual culture and its place in the world With its idiosyncratic yet unmistakable adaptation of European Baroque models, the eighteenth-century architecture of Istanbul has frequently been dismissed by modern observers as inauthentic and derivative, a view reflecting broader unease with notions of Western influence on Islamic cultures. In Ottoman Baroque—the first English-language book on the topic—Ünver Rüstem provides a compelling reassessment of this building style and shows how between 1740 and 1800 the Ottomans consciously coopted European forms to craft a new, politically charged, and globally resonant image for their empire’s capital. Rüstem reclaims the label “Ottoman Baroque” as a productive framework for exploring the connectedness of Istanbul’s eighteenth-century buildings to other traditions of the period. Using a wealth of primary sources, he demonstrates that this architecture was in its own day lauded by Ottomans and foreigners alike for its fresh, cosmopolitan effect. Purposefully and creatively assimilated, the style’s cross-cultural borrowings were combined with Byzantine references that asserted the Ottomans’ entitlement to the Classical artistic heritage of Europe. Such aesthetic rebranding was part of a larger endeavor to reaffirm the empire’s power at a time of intensified East-West contact, taking its boldest shape in a series of imperial mosques built across the city as landmarks of a state-sponsored idiom. Copiously illustrated and drawing on previously unpublished documents, Ottoman Baroque breaks new ground in our understanding of Islamic visual culture in the modern era and offers a persuasive counterpoint to Eurocentric accounts of global art history.

This sweeping look at the city and the District of Jerusalem in the 17th century paints a vivid picture of life in an Ottoman province.

This book is dedicated to Metin Kunt, which primarily examines diverse cases of changes throughout Ottoman history. Both specialist and non-specialist readers will explore and understand the complexities concerning the longevity as well as the tenacity of the Ottoman Empire.

Traces the simultaneous crafting of political power, the codification of a historical record, and the unfolding of cultural change