In 1914, Hell’s Kitchen is an apt name for New York City’s grittiest neighborhood, as one of the city’s first policewomen, Louise Faulk, is about to discover when the death of a young prostitute leads her on a grim journey through the district’s darkest corners . . . Filthy, dangerous, and deadly—Hell’s Kitchen is no place for a lady, but Louise Faulk is no ordinary woman. The amateur investigator turned rookie policewoman is investigating the death of young prostitute, Ruthie, who leaves behind a baby boy. Although detectives are quick to declare it a suicide, Louise is less certain after she discovers clues implying murder while attempting to find a caretaker for Ruthie’s orphaned son. Uncovering the truth won’t be easy, especially since Louise is struggling to make a name for herself amid the boys’ club of the New York City Police Department. But Ruthie’s case keeps tugging at Louise, luring her beyond the slums’ drawn curtains and tenement doors, into an undercover investigation that often seems to conceal more than it reveals. Louise is convinced Ruthie’s secrets got her killed, but can she prove it before they catch up to her too?

It is the early twentieth century, and aspiring journalist Howard Andrews has been nurturing a love affair with Eleanor Arlington partly in his own imagination since he was fifteen years old. But when Ellie tells Howie she is dropping out of college because her father has lost their family farm, he can only hope that they will be together one day. But even as the country prepares for a seemingly inevitable world war, Howard proposes. It seems all his dreams are about to come true. By the spring of 1917, the world has turned inside out. With a little more than three months to go before their wedding, Congress declares war, changing everything for the young couple. In a short span, Howard signs up for artillery school and seals his commitment with Eleanor during what turns out to be a beautiful, military wedding ceremony. Just two days later, he must report for duty and leave his new wife behind. Little does he know that a tiny life has already begun to grow inside Eleanor. In this historical tale based on true events, a father and son soon discover that the consequences of war and the peace that follows will pursue both of them for much longer than they ever imagined.

Kendra Michaels uses her heightened powers of deduction to draw out a serial killer who has not been seen or heard from in over fifteen years. Chloe and Sloane Morgan were only children when their mother was the second victim of the Bayside Strangler. Now, after spending fifteen years trying to discover his identity, the sisters have suddenly vanished. Were they getting too close to the truth? The police consider their interest in the crime to be just a coincidence and have little motivation to pursue the cold case. Armed with the box of photos, videos, police reports, and notes gathered by the sisters over the years—plus the extraordinary senses from being blind before recovering her sight via a revolutionary surgical procedure—Kendra follows the sisters’ trail of clues. Little does she realize that her search is about to unleash a long-dormant killer on San Diego. With help from government agent-for-hire Adam Lynch and private eye Jessie Mercado, Kendra must race to discover the identity of an infamous killer, not only to save the lives of the two sisters but also untold others.

Taking in novelists from all over the globe, from the beginning of the century to the present day, this is the most comprehensive survey of the leading lights of twentieth century fiction. Superb breadth of coverage and over 800 entries by an international team of contributors ensures that this fascinating and wide-ranging work of reference will be invaluable to anyone with an interest in modern fiction. Authors included range from Joseph Conrad to Albert Camus and Franz Kafka to Chinua Achebe. Who's Who of Twentieth Century Novelists gives a superb insight into the richness and diversity of the twentieth century novel.

The American writer--both real and fictitious, famous and obscure--has traditionally been situated on the margins of society, an outsider looking in. From The Great Gatsby's Nick Carraway to the millions of bloggers today, writers are generally seen as onlookers documenting the human condition. Yet their own collective story has largely gone untold. Tracing the role of the writer in the United States over the last century, this book describes how those who use language as a creative medium have held a special place in our collective imagination.

The Mallone sisters look Irish, but don’t let their blue eyes fool you. “It’s all in how you say it,” their grandma Anona proudly says. “Ma-llone is Irish. Mal-lon-e is Italian.” Growing up Italian in the 1920s, in Hell’s Kitchen, an Irish enclave, requires toughness, thrift, and a calculating mind―even for the three beautiful Mallone sisters. And when their baby sister Gracie is swept off her feet by no-good Frankie Merelli, Helen and Mary will do anything to make sure Grace gets the life she deserves, even if that means going after her husband… The Sisters Mallone is a black comedy about the power of sisterhood and the importance of family―and family connections. Through irrepressible characters, and infectious and suspenseful writing, The Sisters Mallone reveals the American immigrant’s dream―with a twist.

In this new collection of reviews and essays, Jonathan Rosenbaum focuses on the political and social dynamics of the contemporary movie scene. Rosenbaum, widely regarded as the most gifted contemporary American commentator on the cinema, explores the many links between film and our ideological identities as individuals and as a society. Readers will find revealing examinations of, for example, racial stereotyping in the debates surrounding Do the Right Thing, key films from Africa, China, Japan, and Taiwan, Hollywood musicals and French serials, and the cultural amnesia accompanying cinematic treatments of the Russian Revolution, the civil rights movement, and the Vietnam War. From Schindler's List, Star Wars, Pulp Fiction, Forrest Gump, The Piano, and Ace Ventura: Pet Detective to the maverick careers of Orson Welles, Jacques Tati, Nicholas Ray, Chantal Akerman, Todd Haynes, and Andrei Tarkovsky, Rosenbaum offers a polemically pointed survey that makes clear the high stakes involved in every aspect of filmmaking and filmgoing.