Catalog of an exhibition held at the Metropolitan Museum of Art, New York, April 5-July 4, 2011.

An adaptation of the short story by Saki, in which a sickly, nervous man is told by the young girl of the country house he is visiting that the garden doors are kept open because her aunt, who lost her husband and brother in a hunting accident three years before, believes that the men will return at any moment.

Born in a drafty house, Jessie, the firstborn of Mary and her abusive husband, Bill, was born for better things. Throughout her childhood, she tells stories that enable her to escape into her own made-up world. She cares for her siblings and manages to establish lifelong friendships. As a teenager, her parents divorce, and Jessie begins to experience days without the need to weigh every action or word. She no longer fears the night or the soft footsteps that once came to her bedside. Because of her capacity for forgiveness and compassion, Jessie refuses to be a victim. Later, she is reunited with a high school friend who becomes the man who makes her frightening memories dissolve into distant shadows that hover at the outer fringes of her mind but are rarely allowed in. As a wife and mother, Jessie again turns to storytelling not as a way to escape her fathers cruelty but to entertain and teach her children. She introduces them to characters that leave them wanting more but appreciating what they have. Jessie weaves make-believe with reality to create a tapestry of lasting memories that make bedtime a time to be savored.

Exacting a terrible price, the nuclear apocalypse divided humankind into two: Mutated and Untainted. Kilia & Josh, child counselors for the United Nations, are tasked with telling this horrible truth to tween-agers. Yet forced to lie about their own feelings for each other. Despite the UN’s efforts, life is harsh for Mutants and an underground resistance has sprung to life in the Quarantine Zone. Untainted humans living in the safety and comfort of a terrarium, most of them migrant volunteers, remain blissfully unaware of things to come. Under the watchful eyes of the Chief Administrator, life at the UN mission in Diablo Valley unfolds in mundane quietude. But then, the universe begins to conspire. Paying homage to counterculture, The Carol of the Reactors blends scifi, suspense and philosophy in the dystopia of an alternate reality. Laced with pop-culture, real world contemporary and historical references, this novel speculates on the future of humanity in the face of climate change, our dependence on technology and the fears that accompany it.

This is a poignant, compelling and unflinching depiction of the powerful yet delicate bond between a mother and her daughters. Through the Open Window follows the lives of three independent women-Jannat Kaur and her daughters, Mahira and Tamannah-who lead life on their own terms. The story is as much about love and longing as it is about three women, who are able to look at their mistakes honestly, even if the realization happens later. The novel goes back and forth in time and looks at how Jannat came to be where she is today-a managing partner in a leading company, with twin daughters in college. The strand of the past starts during Jannat's college days, with her getting pregnant and then rejected by her then-boyfriend. From the worries of becoming a single mother, to falling in love again with a man who accepts her daughters as his own, her life is shattered yet again and she is forced to raise the twins on her own. Tamannah and Mahira have to deal with their own share of complex and sometimes emotionally wrenching situations. For Tamannah it's the men in her life (much like her mother) and for Mahira it is the everyday fight for her sense of self and her battle to emerge out of the shadow of two fiercely assertive and headstrong female influences she's had all her life. Through the Open Window is a depiction of how love can create, destroy and recreate.

The first book in English exclusively devoted to an analysis of the films of one of Spain's most important film directors, V'ctor Erice. Drawing on original essays, reprints, and new translations from an international group of writers, this anthology will help open a window into a deeper appreciation of Erice's three haunting feature-length films.