Long after he was dead, French poet Charles Baudelaire inspired a Decadent Movement in France, which became definitive of fin de siecle sensibility. One of the historical and influential links between Baudelaire and the new Decadents was the Comte de Villiers de l'Isle Adam, who called the first of his own collections of Decadent prose Contes cruels, because they spurned conventional means of attaining literary closure by celebrating 'the irony of fate' -- the capacity that the course of events has for thwarting human ambition in a frankly mocking fashion. "Because it became so firmly linked to the notion of the fin de siecle, the Decadent Movement did not survive the end of the nineteenth century in France and Decadent literature became increasingly unfashionable thereafter -- but it was, by definition, a literary species guaranteed to thrive on its own unfashionability. The stories collected here have been woefully unappreciated, even when they have succeeded in reaching print -- as some have not until now -- but I have never been tempted to abandon the production of such items, and am far fonder of them than I am of many works that proved more economically viable." -- from the author's Introduction. The tales in this collection include: "An Oasis of Horror," "Justice," "The Copper Cauldron," "Nobody Else to Blame," "Heartbeat," "Upon the Gallows-Tree," "The Devil's Men," "The Elixir of Youth," "The Lamia's Soliloquy," "And the Hunter Home from the Hill," "The Riddle of the Sphinx," "My Mother, the Hag," "The Devil's Comedy," and "The Power of Prayer." Never before collected into book form.

Does Bolaño's masterpiece hint at his own life, or is the author himself a literary invention? Literary Nonfiction. After Devouring 2666 by Roberto Bola�o on the New York City subway, Jonathan Russell Clark does what any good literary critic would do�he reads everything by Bola�o he can get his hands on. But the more he learns about the writer's unlikely life, the less it makes sense. Bola�o cultivated ambiguities and false identities, almost as if he were laying a trap for his future biographers. Clark's investigation into Bola�o's magnum opus is a stumble through a labyrinth where fiction and self-mythologizing converge. This book is part of a new series from Fiction Advocate called Afterwords. "A Sontag-worthy encapsulation of another writer."--Christopher Wood, The Quarterly Conversation "If you have read 2666 and loved it, like most people who've read 2666, then AN OASIS OF HORROR IN A DESERT OF BOREDOM is something of a must-read."--D. F. Lovett

In this young adult thriller for fans of Lost and The Twilight Zone, a group of teens are saved when they come across a mysterious oasis. But who will save them from the oasis? Alif had exciting summer plans: working on her father’s archeological dig site in the desert with four close friends ... and a very cute research assistant. Then the sandstorm hit. Their camp wiped away, Alif and the others find themselves lost on the sands, seemingly doomed ... until they find the oasis. It has everything they need: food, water, and shade—and mysterious ruins that hide a deadly secret. As reality begins to shift around them, they question what’s real and what’s a mirage. The answers turn Alif and her friends against each other, and they begin to wonder if they’ve truly been saved. And while it was easy to walk into the oasis, it may be impossible to leave ... An Imprint Book “Will stick to readers’ skin long after the final page is turned.” —Booklist (starred review) “de Becerra successfully builds a fraught tension throughout the book that mirrors the characters’ feelings as reality leaves them behind . . . well worth the payoff.” —The Bulletin

A NATIONAL BOOK CRITICS CIRCLE AWARD WINNER THE POSTHUMOUS MASTERWORK FROM "ONE OF THE GREATEST AND MOST INFLUENTIAL MODERN WRITERS" (JAMES WOOD, THE NEW YORK TIMES BOOK REVIEW) Composed in the last years of Roberto Bolaño's life, 2666 was greeted across Europe and Latin America as his highest achievement, surpassing even his previous work in its strangeness, beauty, and scope. Its throng of unforgettable characters includes academics and convicts, an American sportswriter, an elusive German novelist, and a teenage student and her widowed, mentally unstable father. Their lives intersect in the urban sprawl of SantaTeresa—a fictional Juárez—on the U.S.-Mexico border, where hundreds of young factory workers, in the novel as in life, have disappeared.

A vicious and brilliant satire of human vanity from the author of the classic bestseller The Group Long out of print, Mary McCarthy's second novel is a bitingly funny satire set in the early years of the Cold War about a group of writers, editors, and intellectuals who retreat to rural New England to found a hilltop utopia. With this group loosely divided into two factions—purists, led by the libertarian editor Macdougal Macdermott, and the realists, skeptics led by the smug Will Taub—the situation is ripe not only for disaster but for comedy, as reality clashes with their dreams of a perfect society. Though written as a roman à clef, McCarthy barely disguised her characters, including using her former lover Philip Rahv, founder of Partisan Review, as the model for Will Taub. As a result, the novel caused an absolute explosion of outrage among the literary elite of the day, who clearly recognized themselves among her all-too-accurate portraits. Rahv threatened a lawsuit to stop publication. Diana Trilling, Lionel Trilling's wife, called McCarthy a "thug." McCarthy's friend Dwight McDonald (Macdougal Macdermott) called it "vicious, malicious, and nasty." Never one to shy away from controversy, McCarthy's portrait of her generation had indeed drawn blood. But the brilliance of the novel has outlasted its first detonation and can now be enjoyed for its aphoritic, fearless dissection of the vanities of human endeavor. In an added bonus, the renowned essayist Vivian Gornick details in a moving introduction the importance of McCarthy's intellectual and artistic bravery, and how she influenced a generation of young writers and thinkers.

Stories of the "failed generation" set in the Chilean exile diaspora of Latin America and Europe.