This book analyses travel texts aimed at the emergent Irish middle classes in the long nineteenth century. Unlike travel writing about Ireland, Irish travel writing about foreign spaces has been under-researched. Drawing on a wide range of neglected material and focusing on selected European destinations, this study draws out the distinctive features of an Irish corpus that often subverts dominant trends in Anglo-Saxon travel writing. As it charts Irish participation in a new ‘mass’ tourism, it shows how that participation led to heated ideological debates in Victorian and Edwardian Irish print culture. Those debates culminate in James Joyce’s ‘The Dead’, which is here re-read through new discursive contextualizations. This book sheds new light on middle-class culture in pre-independence Ireland, and on Ireland’s relation to Europe. The methodology used to define its Irish corpus also makes innovative contributions to the study of travel writing.

Language is still a relatively under-researched aspect of the Grand Tour. This book offers a comprehensive introduction enriched by the amusing stories and vivid quotations collected from travellers' writings, providing crucial insights into the rise of modern vernaculars and the standardisation of European languages.

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"The publication of these texts in a single volume enables the reader to create useful historical comparisons as well as facilitating the careful examination of historical documents. Sources in Irish Art: A Reader will be an ideal text for Irish Studies and relevant Art History courses both at undergraduate and postgraduate levels."--BOOK JACKET.

How did eighteenth-century travellers experience, describe and represent the urban environments they encountered as they made the Grand Tour? This fascinating book focuses on the changing responses of the British to the cities of Florence, Rome, Naples and Venice, during a period of unprecedented urbanisation at home. Drawing on a wide range of unpublished material, including travel accounts written by women, Rosemary Sweet explores how travel literature helped to create and perpetuate the image of a city; what the different meanings and imaginative associations attached to these cities were; and how the contrasting descriptions of each of these cities reflected the travellers' own attitudes to urbanism. More broadly, the book explores the construction and performance of personal, gender and national identities, and the shift in cultural values away from neo-classicism towards medievalism and the gothic, which is central to our understanding of eighteenth-century culture and the transition to modernity.