Wolfhaven Castle has been attacked, and only four escape capture: Tom, trained to scrub pots, not fight; Elanor, the LordÕs daughter; Sebastian, a knight in training; and Quinn, the witchÕs apprentice. If they are to save their people, they must find four magical beasts from legend... (Contains: Escape from Wolfhaven Castle, Wolves of the Witchwood, The Beast of Blackmoor Bog, The Drowned Kingdom, Battle of the Heroes)

The hilarious new fantasy adventure from the author of Charlie Changes Into a Chicken. Alex is a normal, everyday kid, living in a normal, everyday city. Axel is a monster-slaying hero, living in a world of magic. Unfortunately, when the two boys mysteriously swap places, each of them ends up being mistaken for the other. With zero experience of heroism, Alex is thrust into an epic quest to defeat the evil Felonius Gloam, who has stolen the Book of Lifetales and is using it to unravel the very fabric of the world of Aërth. Meanwhile, Axel is faced with double maths, a gran who's six months behind on the rent, and a crucial chess tournament he's got to win – when he doesn't even know how to play. Can the two boys complete their Impossible Quests and find a way back to their own lives, or will they both discover they don't have a life to come back to . . . ?

As the heir to a thriving smithy and a substantial estate, Phillip wants for nothing…except perhaps bravery and self-confidence. But when he meets Irma, the headstrong daughter of a poor farm worker, he is smitten. Her father, thankfully, can see Phillip’s goodness and is quick to give his blessing. Marriage does not guarantee affection, however. Phillip’s quest to woo his very independent wife has only just begun. In the course of a single night, Holgarians take over the village of Kenshore. Irma falls into despair, assuming her elderly father is dead, and Phillip scrambles for a way to help. A rumor leads him into the forest, in search of a caravan of wounded persons fleeing Kenshore. Instead of finding his father-in-law, Phillip falls into a trap. While his life is spared—thanks to the Patron Saint of Creators and Innovators—he’s still taken to the Holgarian prisoner camp. There, he learns that the heavenly being has a secret mission for him and that his father-in-law is still alive. Phillip’s only hope of survival, of reuniting Irma with her father and perhaps finally earning her love, depends on the success of his divine mission…which will require more than a little bravery, unfortunately.

This book offers a reading particularly of Part II of Don Quixote, a reading that is embedded in a philosophical reflection on the revelation of religious truth in and through literature. Part II of Don Quixote is the far richer part for its meta-literary reflection on the novel itself as a genre and on life as such seen through the lens of self-reflection. The author has treated the phenomenon of modern self-reflexivity as originally theological in nature in previous publications (notably Dante’s Paradiso and the Theological Origins of Modern Thought: Toward a Speculative Philosophy of Self-Reflection, Routledge, 2021). The present endeavor expands this overall intellectual project, extending it into detailed consideration of what is recognizably another nodal great work inaugurating unprecedented forms of self-reflection in the early modern period. Reading the founding texts of literary and cultural tradition in this negative-theological key proves crucial to allowing them to release the full force of their religious vision in the present age, despite its sometimes obstinate secularity. This reading absorbs and reconciles the religious and secular readings of Miguel de Unamuno and José Ortega y Gasset, two of Spain’s outstanding philosophical luminaries. Both thinkers based their entire philosophies and their analyses of the Spanish national character and destiny on their interpretations of the Quixote. Negative theology deploys critical reason that critiques the limits of reason itself and opens toward an unfathomable (un)ground of All. Such speculative interpretation performs a synthesis of the secularizing and sacralizing tendencies that are both sublimely operative in the text of the Quixote. It thereby enables the work to emerge in the fully parodic and paradoxical vitality that other interpretations, governed by one paradigm or the other, access only partially. Rather than falling into one camp or the other, the proposed approach combines and resources both heritages, sacred and secular, in their deepest synergisms. Spanish baroque mysticism and contemporary post-secular thought are made to converge in highlighting the blessed, even sacred, donation that literature like Don Quixote preserves and transmits as our most precious and saving cultural heritage.

In this groundbreaking book, Dr. Ariel unveils her breakthrough Self Healing System, 7 Master Keys to Inner Peace, and TheQuest Life Mastery Path. She demystifies the psyche like no other work has done and provides tools to quickly resolve issues, heal addictions, restore harmony in relationships, master your psychology, and remove the scars from your painful past.Through years of pioneering work in the psyche, she made many landmark discoveries, uncovered the cause of suffering, and developed a cure that could change the destiny of the planet. Distilled into seven powerful steps, TheQuest is designed to accelerate a personal and planetary transformation that could help end suffering on Earth.

*** The Great Pyramid in the Himalaya *** In 'Thoth, Architect of the Universe' Ralf discovered evidence for megalithic maps. But if these megalithic maps are to be of any use in a quest for the mythical Hall of Records, then they need to be a little more detailed than a simple representation of continents. Luckily, the shaft angles inside the Great Pyramid can refine these maps down to just a few tens of meters. And so Ralf embarked on a long trek into the high Himalaya, to see what lay at the heart of the Giza map. Strangely enough, what he found there was a giant snow-white pyramid, aligned with the cardinal points, with a causeway aligned at 14º from its base - exactly the same as the Great Pyramid itself. Sequel to "Thoth, Architect of the Universe". v3.6

Henrik Ibsen's plays have long beguiled philosophically-oriented readers. From Nietzsche to Adorno to Cavell, philosophers have drawn inspiration from Ibsen. But what of Ibsen's own philosophical orientation? As part of larger European movements to reinvent drama, Ibsen and fellow playwrights grappled with contemporary philosophy. Philosophy of drama found a central place with figures such as Gotthold Ephraim Lessing and Johann Gottfried Herder, but reached its mature form, in Ibsen's time, in the works of G.W.F. Hegel and Friedrich Nietzsche. Kristin Gjesdal reveals the centrality of philosophy of theater in nineteenth-century philosophy and shows how drama, as an art form, offers insight into human historicity and the conditions of modern life. The Drama of History deepens and actualizes the relationship between philosophy and drama--not by suggesting that either philosophy or drama should have the upper hand, but rather by indicating how a sustained dialogue between them brings out the meaning and intellectual power of each. Her study reveals underappreciated aspects of Hegel's and Nietzsche's works through their reception in European art and investigates the philosophical dimensions of Ibsen's drama. At the heart of this interrelation between philosophy and drama is a shared interest in exploring the existential condition of human life as lived and experienced in history.