A comprehensive and illuminating survey of 500 years of fashion, as seen through the art of its period. Focusing on the means by which costume has been recorded - from woodcuts, engravings and fashion plates to film, photography and the Internet - it offers examples from all over the world.

In Vogue is a fascinating look at the history of the world's most influential magazine. The complete compendium is illustrated with hundreds of covers and archival interiors of past Vogue editions, featuring the work of some of the twentieth century's most respected artists, cover illustrators, and photographers—from Edward Steichen, Toni Frissell, and Erwin Blumenfeld to Irving Penn, Richard Avedon, David Bailey, Helmut Newton, Annie Leibovitz, Mario Testino, Steven Klein, Bruce Webber, and Herb Ritts. In 1909, an entrepreneurial New Yorker named Condé Nast took charge of a struggling society journal and transformed it into the most glamorous fashion magazine of the twentieth century. In Vogue traces the history, development and influence of this media colossus—from its beginning as a social gazette in the late nineteenth century, to the exploration of modern fashion photography and new visuals in the mid-twentieth century, to its status as the top style magazine today. The book explains the makings of the magazine—from runways, to editorial meetings, to the pages of Vogue.The thoroughly researched story incorporates first-person accounts, interviews with editors and photographers, and excerpts from stories written in the magazine by many world-renowned writers, including Truman Capote, Aldous Huxley, Richard Burton, Federico Fellini, and Marcello Mastroianni. Unparalleled in its scope and exceptionally illustrated, In Vogue is sure to be among the most important publications on the subjects of culture, art, fashion, photography, and media.

A collection of photographs from museums, collectors and private dealers that documents five centuries of Native American artistry.

From medieval times to the present, "Fashion for Men" describes the development of male attire, with the aid of nearly a hundred illustrations. Diana de Marly offers a lively discussion of the male ideal and its relationship to the clothes people wore. What was it that was considered so shocking about the ever-receding short skirts of fourteenth-century fashionable man? What was the significance of the rise -- and later the decline -- of the codpiece, so blatantly drawing attention to what later centuries were generally at pains to hide? The history of men's clothing is set in a wide social context, and the author shows above all that views about "masculinity" are subject to change, and that preoccupation with dress is not exclusively a female preserve. "Fashion for Men" will not only be invaluable to students of costume history and fashion design, but will also appeal to the general reader fascinated by the intricacies of costume and its development.

Ever since Eve's first blush, clothes have girded, graced and transformed the female physique. Fascinating and insightful, The Corset and the Crinoline is an illustrated history of clothing's attendant underpinnings—especially those that whittled the female waist to its most slender proportions. Reproduced from a rare 1868 fashion publication, each page reveals how the use of wood, whalebone, steel, hoops, and tight laces had a gripping influence on shaping the figures of women from ancient Greece to nineteenth-century Vienna. Enlivened by excerpts from authentic letters, magazine articles, and satiric poems, over fifty exquisite black-and-white engravings highlight the wardrobes—and what was worn underneath them—of a Persian dancing girl, an ancient Egyptian woman, a Roman lady of high rank, Queen Elizabeth, Marie de Medici, a woman of the French revolutionary period, and many more. Costume designers, artists, and anyone interested in the history of fashion will be captivated!

Fashion History: A Global View proposes a new perspective on fashion history. Arguing that fashion has occurred in cultures beyond the West throughout history, this groundbreaking book explores the geographic places and historical spaces that have been largely neglected by contemporary fashion studies, bringing them together for the first time. Reversing the dominant narrative that privileges Western Europe in the history of dress, Welters and Lillethun adopt a cross-cultural approach to explore a vast array of cultures around the globe. They explore key issues affecting fashion systems, ranging from innovation, production and consumption to identity formation and the effects of colonization. Case studies include the cross-cultural trade of silk textiles in Central Asia, the indigenous dress of the Americas and of Hawai'i, the cosmetics of the Tang Dynasty in China, and stylistic innovation in sub-Saharan Africa. Examining the new lessons that can be deciphered from archaeological findings and theoretical advancements, the book shows that fashion history should be understood as a global phenomenon, originating well before and beyond the fourteenth century European court, which is continually, and erroneously, cited as fashion's birthplace. Providing a fresh framework for fashion history scholarship, Fashion History: A Global View will inspire inclusive dress narratives for students and scholars of fashion, anthropology, and cultural studies.

The way apparel has been worn and created by skateboarders has had a tremendous impact on popular culture at large. Skateboarding Is Not A Fashion documents all aspects of this aesthetic movement; from its roots in the 1950s as an offshoot of surfing culture, to the 1980s. Nearly every area of garment design was touched by skate wear's aesthetic - influencing the design and fashion of innumerable media from printed T-shirts to board shorts and denim to track suits along the way.