Over 700 drawings of saints and feast days to be used as prototypes. Basic source references from which the English translation is made is the Stroganov Family Iconpainter's Handbook, published in Slavonic in the mid-19th century from the 16th-century originals.

Originally published: Torrance, Calif.: Oakwood Publications, c1992.

A valuable resource for iconographers, this book contains a wide variety of patterns and sketches. Content including; icon patterns of the Nativity, the Theotokos, archangels, male and female saints, as well as halo patterns and 2 beautiful crucifixion crosses. Buildings and fabric/ background designs and 5 icon borders. Each pattern is accompanied by colour recommendations which are meant as a general guide allowing for adjustments due to differences in colour names between pigments used with egg tempera and acrylic paints.

Icon and Devotion offers the first extensive presentation in English of the making and meaning of Russian icons. The craft of icon-making is set into the context of forms of worship that emerged in the Russian Orthodox Church in the mid-seventeenth century. Oleg Tarasov shows how icons have held a special place in Russian consciousness because they represented idealized images of Holy Russia. He also looks closely at how and why icons were made. Wonder-working saints and the leaders of such religious schisms as the Old Believers appear in these pages, which are illustrated in halftones with miniature paintings, lithographs and engravings never before published in the English-speaking world. By tracing the artistic vocabulary, techniques and working methods of icon painters, Tarasov shows how icons have been integral to the history of Russian art, influenced by folk and mainstream currents alike. As well as articulating the specifically Russian piety they invoke, he analyzes the significance of icons in the cultural life of modern Russia in the context of popular prints and poster design.

Archbishop Desmond Tutu of Cape Town once said with regard to South Africa’s apartheid policy, “One of the ways of helping to destroy a people is to tell them that they don’t have a history, that they have no roots.” More recently, he described homophobic discrimination as “totally unacceptable and unjust as apartheid ever was.” Unfortunately, it has been particularly difficult for some gay, lesbian, bisexual, and transgender Christians to remain connected to identify with their own faith traditions because some of these traditions not only treat them as people of secondary status but also teach Christian history as though no people of same-gender attraction or opposite-gender identity had any noteworthy place in it and made no significant contributions at all to Christian tradition. Passionate Holiness tries to remedy this situation by explaining why acquaintance with the stories of certain saints with whom gender minorities can identify can help them to connect with their own history and spiritual legacy and empower them to face a brighter future with a sense of optimism and inclusion.

A true story—told for the first time This dramatic history recounts the story of an aspect of Russian culture that fought to survive throughout the 20th century: the icon. Russian iconography kept faith alive in Soviet Russia after the Bolshevik Revolution. As monasteries and churches were ruined, icons destroyed, thousands of believers killed or sent to Soviet prisons and labor camps, a few courageous iconographers continued to paint holy images secretly, despite the ever-present threat of arrest. Others were forced to leave Russia altogether, and while living abroad, struggled to preserve their Orthodox traditions. Today we are witness to a renaissance of the Russian icon, made possible by the sacrifices of this previous generation of heroes.

“Part spiritual quest, part scholarly inquiry, part travel memoir, Prodigal Daughter is as richly layered as the civilization [Kostash] explores.” —The Edmonton Journal A deep-seated questioning of her inherited religion resurfaces when Myrna Kostash chances upon the icon of St. Demetrius of Thessalonica. A historical, cultural and spiritual odyssey that begins in Edmonton, ranges around the Balkans, and plunges into a renewed vision of Byzantium in search of the Great Saint of the East delivers the author to an unexpected place—the threshold of her childhood church. An epic work of travel memoir, Prodigal Daughter sings with immediacy and depth, rewarding readers with a profound sense of an adventure they have lived. This book will appeal to readers interested in Ukrainian-Canadian culture, the Eastern Church, and medieval history, as well as to fans of Kostash’s bold creative nonfiction. “Prodigal Daughter is at one and the same time an anthropological, cultural, and religious quest on two levels: the personal, autobiographical and the wider sociological and cultural. It is both deeply spiritual and intellectually satisfying.” —Tom Harpur, former author, journalist, TV host “Written in lyrical, vibrant prose, Prodigal Daughter is part travelogue and part memoir—a detailed account of findings from her travels to Greece, Bulgaria, Croatia and Macedonia . . . Winner of the 2011 City of Edmonton Prize, Prodigal Daughter is a thought-provoking book.” —Prairie Fire Review of Books “It may just be her best book to date . . . a shockingly honest and open articulation of a spiritual quest, one that is rich with possibilities.” —Lindy Ledohowski, Canadian Literature