As evidenced by the famed Book of Kells and monumental high crosses, Scotland and Ireland have long shared a distinctive artistic tradition. The story of how this tradition developed and flourished for another millennium through survival, adaptation and revival is less well known. Some works were preserved and repaired as relics, objects of devotion believed to hold magical powers. Respect for the past saw the creation of new artefacts through the assemblage of older parts, or the creation of fakes and facsimiles. Meanings and values attached to these objects, and to places with strong early Christian associations, changed over time but their 'Celtic' and/or 'Gaelic' character has remained to the forefront of Scottish and Irish national expression. Exploring themes of authenticity, imitation, heritage, conservation and nationalism, these interdisciplinary essays draw attention to a variety of understudied artworks and illustrate the enduring link that exists between Scottish and Irish cultures.

"Familia, " which was first published in 1985, aims to provide informed writing on sources and case studies relating to that area where Irish history and genealogy overlap with mutual benefit. Members of the Foundation's Guild receive "Familia "and the "Directory of Irish Family History Research" as part of the return on their annual subscription.

Originally published in 1973, the emphasis of this study is on the Scottish settlers during the first quarter of the 17th Century. It shows that the ‘Plantation’, although a milestone in Ireland’s past is also of considerable importance in Scotland’s history. The society that produced Scottish settlers is examined and the reasons why they left their homeland analysed. The book explains what effect the Scottish migration had upon both Ireland and Scotland and assesses the extent to which James I was personally involved in the promotion of the ‘Plantation’ scheme.