Alison Milbank provides a complete reimagining of the Gothic literary canon to examine its engagement with theological ideas, tracing its origins to the apocalyptic critique of the Reformation female martyrs, and to the Dissolution of the monasteries, now seen as usurping authorities.

While the numinous and heavily psychological aspects of the Gothic have received serious attention, studies do not tend to examine the relation of the Gothic supernatural to the very different backgrounds of 18th-century and Victorian belief. This study examines the rise of the form, the artistic difficulties experienced by its early practitioners, and the transformation of the original problem-ridden Gothic works into the successful Victorian tales of unearthly terror. In doing so, this study makes a distinct contribution to our grasp of the Gothic and of the links between literature and religion.

George Haggerty examines the ways in which gothic fiction centers on loss as the foreclosure of homoerotic possibility and the relationship between transgressive sexual behaviors and a range of religious behaviors understood as 'Catholic'.

This is a new release of the original 1946 edition.

The Enlightenment, considered an age of rationalism, is not normally associated with miracles. In this intriguing book, however, Jane Shaw presents accounts of inscrutable miracles that occurred to ordinary worshippers in early modern England. She considers the reactions of intellectuals, scientists, and physicians to these miraculous events and through them explores the relations between popular and elite culture of the time. Miraculous events in England between the 1650s and the 1750s were experienced mainly not by Catholics, but by Protestants. The book looks at the political and social context of these events as well as interpretations and explanations of them by scientists, the Court, and the Church, as well as by preachers, pamphleteers, friends, and neighbors. Shaw links the lived religion of the time to intellectual history and amends the hitherto received view. The religious practice of ordinary people was as crucial to the development of Enlightenment thought as the philosophical and theological writings of the elite.

In a fascinating study of what, during the last decade, rekindled an avid readership, Judith Wilt proposes a new theory of Gothic fiction that challenges its reputation as merely a formula to be outgrown or a stock of images for the creation of terror. Emphasizing instead its status as an enduring component of the imagination, she establishes the Gothic as the mothering" form for three other popular genres--detective, historical, and science fiction. Originally published in 1980. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.