This volume on different aspects of warfare and its political implications in the ancient world brings together the works of both established and younger scholars working on a historical period that stretches from the archaic period of Greece to the late Roman Empire. With its focus on cultural and social history, it presents an overview of several current issues concerning the “new” military history. The book contains papers that can be conveniently divided into three parts. Part I is composed of three papers primarily concerned with archaic and classical Greece, though the third covers a wide range and relates the experience of the ancient Greeks to that of soldiers in the modern world – one might even argue that the comparison works in reverse. Part II comprises five papers on warfare in the age of Alexander the Great and on its reception early in the Hellenistic period. These demonstrate that the study of Alexander as a military figure is hardly a well-worn theme, but rather in its relative infancy, whether the approach is the tried and true (and wrongly disparaged) method of Quellenforschung or that of “experiencing war,” something that has recently come into fashion. Part III offers three papers on war in the time of Imperial Rome, particularly on the fringes of the Empire. Covering a wide chronological span, Greek, Macedonian and Roman cultures and various topics, this volume shows the importance and actuality of research on the history of war and the diversity of the approaches to this task, as well as the different angles from which it can be analysed.

The story of Mulian rescuing his mother’s soul from hell has evolved as a narrative over several centuries in China, especially in the baojuan (precious scrolls) genre. This genre, a prosimetric narrative in vernacular language, first appeared around the fourteenth century and endures as a living tradition. In exploring the evolution of the Mulian story, Rostislav Berezkin illuminates changes in the literary and religious characteristics of the genre. He also examines material from other forms of Chinese literature and from modern performances of baojuan, tracing their transformation from tools of Buddhist proselytizing to sectarian propaganda to folk ritualized storytelling. Ultimately, he reveals the special features of baojuan as a type of performance literature that had its foundations in multiple literary traditions.

An old, bloodthirsty tyrant hears from a group of Magi about the birth of the Messiah, king of the Jews. He vengefully sends his soldiers to Bethlehem with orders to kill all of the baby boys in the town in order to preserve his own throne. For most of the Western world, this is Herod the Great -- an icon of cruelty and evil, the epitome of a tyrant. Adam Kolman Marshak portrays Herod the Great quite differently, however, carefully drawing on historical, archaeological, and literary sources. Marshak shows how Herod successfully ruled over his turbulent kingdom by skillfully interacting with his various audiences -- Roman, Hellenistic, and Judaean -- in myriad ways. Herod was indeed a master in political self-presentation. Marshak's fascinating account chronicles how Herod moved from the bankrupt usurper he was at the beginning of his reign to a wealthy and powerful king who founded a dynasty and brought ancient Judaea to its greatest prominence and prosperity.

Essays illuminate the lives of ordinary people who lived in the Ottoman era. Drawing from centuries-old court records, The Other Faces of Empire traces the lives of "outstage" people in vast empire lands. Each essay in the collection tells the story of an ordinary person navigating the Ottoman Empire. On this journey, we meet colorful and quite extraordinary figures: Deli Şaban, "naughty and haramzade" with his unsuccessful suicide attempts; Divane Hamza, who harassed the people in the village of Evciler in Bursa; Mâryem of Konya, who killed her husbands and buried them in the floor of a room of her house; Alaeddin from Skopje, who was captured by pirates; Nicolò Algarotti, a Venetian broker; and many others. The volume's micro-historical perspective strengthens its place in historiography, and moreover, it updates the historical record by sharing the overlooked stories of "ordinary" people and recording their names in the Ottoman historical literature one by one.

Separating historical reality from myth, this book provides a nuanced, revisionist assessment of the friar's career, writings, and political activities.