Volume includes an explanation of the symbolism of the architecture, sculpture and painting of the Panama-Pacific International Exposition.

Perfect for fans of Miss Fisher’s Murder Mysteries and Jane Austen alike, the latest in this delightful mystery series described as “pure, unadulterated fun” (Publishers Weekly) combines historical intrigue, wit, and a sophisticated Victorian setting with a charmingly independent heroine. Frances and her husband, George, have two points of interest in Paris. One is an impromptu holiday to visit the Paris Exposition. The other is personal. George’s Aunt Julia has requested her nephew’s help in looking into the suspicious death of renowned artist Paul Ducasse. Though Julia is not entirely forthcoming about her reasons, she is clearly a woman mourning a lost love. At the exposition, swarming with tourists, tragedy casts a pall on the festivities. A footbridge collapses. Julia is among the casualties. However, she was not just another fateful victim. Julia was stabbed to death amid the chaos. With an official investigation at a standstill, George and Frances realize that to solve the case they must dig into Julia’s life—as well as Paul’s—and question everything and everyone in Julia’s coterie of artists and secrets. They have no shortage of suspects. There is Paul’s inscrutable widow, Gabrielle. Paul’s art dealer and manager, Lucien. Julia’s friend Martine, a sculptress with a jealous streak. And art jurist, Monsieur Beaufoy. The investigation takes a turn when it’s revealed that George has inherited control of Julia’s estate—and another of her secrets. While George investigates, Frances safeguards their new legacy, and is drawn further into danger by a killer determined to keep the past buried.

Originally published in 1990, Signs of Change assess the people of San Francisco according to their own demonstrative standards through the visual symbols. Special attention is devoted to the visual perceptions of immigrants, those whose senses were not smothered by over-familiarity or protracted compliance with American mores. Immigration history is often studied in the concentrate exclusively on narrow connections between newcomers and their urban surroundings. The city has served as a data-base for the study of specific immigrant communities; frequently it has provided mere background for cloistered studies of immigrant life.

The volumes in this set, originally published between 1940 and 1994, draw together research by leading academics in the area of welfare and the welfare state, and provide a rigorous examination of related key issues. The volumes examine welfare policy, equality, poverty, class, government, social policy, unemployment, and social services, whilst also exploring the general principles and practices of welfare and the welfare state in various countries. This set will be of particular interest to students of sociology, health, and political studies respectively.

The life and work of an essential photographer whose feminism and pictorialist images distanced her from the mainstream In the first book devoted to Anne Brigman (1869–1950), Kathleen Pyne traces the groundbreaking photographer’s life from Hawai‘i to the Sierra and elsewhere in California, revealing how her photographs emerged from her experience of local place and cultural politics. Brigman’s work caught the eye of the well-known photographer Alfred Stieglitz, who welcomed her as one of the original members of his Photo-Secession group. He promoted her work as exemplary of his modernism and praised her Sierra landscapes with female nudes—work that at the time separated Brigman from the spiritualized upper-class femininity of other women photographers. Stieglitz later drew on Brigman’s images of the expressive female body in shaping the public persona of Georgia O’Keeffe into his ideal woman artist. This nuanced account reasserts Brigman’s place among photography’s most important early advocates and provides new insight into the gender and racialist dynamics of the early twentieth-century art world, especially on the West Coast of the United States.