In California, a month before the Stonewall Riots in 1969, Maxine Feldman penned a song, “Angry Atthis,” about the shame surrounding lesbians. She didn’t know where she was going to sing her new song until comedy duo Harrison and Tyler asked her to open their shows. On the other side of the country and three years later, Alix Dobkin released Lavender Jane Loves Women, the first record produced, engineered and played by women. Maxine and Alix had no business plan. They didn’t fit the mold set by mainstream music but they saw great potential to create a powerful soundtrack for women claiming their place as lesbians and feminists. A myriad of musicians joined them, from a cappella group Sweet Honey in the Rock, to singer-songwriter Cris Williamson, to activist/singer Holly Near, to jazz/classical/gospel performer Mary Watkins and many more; collectively they have sold millions of albums. Venues, radio shows, record distributors, and sound technicians sprung up to host and work with these musicians. Grateful fans traveled hundreds of miles to attend performances. These women (and a few men) created artist-run independent record labels—perhaps the first in history—and organized music festivals that drew thousands and still exist today. Before Lilith Fair and riot grrrls, there was women’s music! “I stood in those crowds, sang along with Meg Christian and Casse Culver and women who played rock & roll and bluegrass and all the music that echoed in my bloodstream. Jamie Anderson has caught the lightning and put it on the page.” – Dorothy Allison

In the age of Occupy, An Army of Lovers reasks the question, what is the relationship between poetry and politics?

In the spring of 2010, Toronto lost one of its most important queer civic heroes. Weaving together interviews and stories, Army of Lovers is a biography of Will Munro and a document of a galvanizing period when various subcultures — the queer community, the art scene, the independent music universe, the grassroots activist enclaves — came together.

This is a concept from physics in which it is surmised that small actions can have enormous consequences, and that the flutter of a butterfly's wing on one side of the world can cause devastating storms on the other side. This work includes poems on a range of subjects, including death, history, culture physics, and more.

An examination of ideas and ideals of medieval courtly love and the transition into later Romantic love, analyzing the work of Dante, Shakespeare, and Schopenhauer, among many others. Review), "monumental" (Boston Globe), "one of the major works of philosophy in our century" (Nous), "wise and magisterial" (Times Literary Supplement), and a "masterpiece of critical thinking [that] is a timely, eloquent, and scrupulous account of what, after all, still makes the world go round" (Christian Science Monitor). In the second volume, Singer studies the ideas and ideals of medieval courtly love and nineteenth-century Romantic love, as well as the transition between these two perspectives. According to the traditions of courtly love in the twelfth century and thereafter, not only God but also human beings in themselves are capable of authentic love. The pursuit of love between man and woman was seen as a splendid ideal that ennobles both the lover and the beloved. It was something more than libidinal sexuality and involved sophisticated and highly refined courtliness that emulated religious love in its ability to create a holy union between the participants. Adherents to Romantic love in later centuries, affirmed the capacity of love to effect a merging between two people who thus became one. Singer analyzes the transition from courtly to Romantic by reference to the writings of many artists beginning with Dante and ending with Richard Wagner, as well as Neoplatonist philosophers of the Italian Renaissance, Descartes, Spinoza, Rousseau, Hume, Kant, Hegel, and Schopenhauer. In relation to romanticism itself, he distinguishes between two aspects—"benign romanticism" and "Romantic pessimism"—that took on renewed importance in the twentieth century.

This is the twelfth volume of the "Hague Yearbook of International Law," which succeeds the "Yearbook of the Association of Attenders and Alumni of The Hague Academy of International Law," The title "Hague Yearbook of International Law" reflects the close ties which have always existed between the AAA and the City of The Hague with its international law institutions, and indicates the Editor's intention to devote attention to developments taking place in those international law institutions, viz. the International Court of Justice, the Permanent Court of Arbitration, the Iran-United States Claims Tribunal, and the Hague Conference on Private International Law. This volume contains in-depth articles on these developments (in English and French) and summaries of (aspects of) decisions rendered by the International Court of Justice, the Permanent Court of Arbitration and the Iran-United States Claims Tribunal, and the Hague Conference on Private International Law.