"The poetic movement that was Spanish American modernismo ran from the early 1880s to 1916: it expressed the desire both to join universal literature - aesthetic modernity - and to break colonial ties with Spanish belles lettres. The new translations in this bilingual anthology, many of them first translations, present eighteen modernista poets from Argentina, Bolivia, Colombia, Cuba, Mexico, Nicaragua, Peru, and Uruguay. This volume in the MLA series Texts and Translations is designed to provide the student of Spanish American literature with work not easily accessible in Spanish and English and to introduce modernismo, an often misunderstood movement, to a wider audience."--BOOK JACKET.

Modernismo, a literary movement of fundamental importance to Spanish America and Spain, occurred at the turn of the nineteenth century, roughly from the 1880s to the 1920s. It is widely regarded as the first Spanish-language literary movement that originated in the New World and that became influential in the "Mother Country," Spain. Characterized by the appropriation of French Symbolist aesthetics into Spanish-language literature, modernismo's other significant traits were its cultural cosmopolitanism, its philological concern with language, literary history, and literary technique, and its journalistic penchant for novelty and fashion. Despite the splendor of modernista poetry, modernismo is now understood as a broad movement whose impact was felt just as strongly in the prose genres: the short story, the novel, the essay, and the journalistic cr©đnica [chronicle]. Conceived as an introduction to modernismo as well as an account of the current state of the art of modernismo studies, this book examines the movement's contribution to the various Spanish American literary genres, its main authors [from Mart©Ư and N©Łjera to Dar©Ưo and Rod©đ], its social and historical context, and its continuing relevance to the work of contemporary Spanish American authors such as Gabriel Garc©Ưa M©Łrquez, Sergio Ram©Ưrez, aargas Llosa. AN©‍BAL GONZ©ĩLEZ-P©œREZ is Professor of Modern Latin American Literature at Yale University.

Locating a shared interest in the philosophy of "art for art's sake" in aestheticism and modernismo , this study examines the changing role of art and artist during the turn-of-the-century period, offering a consideration of the multiple dichotomies of art and life, aesthetics and economics, production and consumption, and center and periphery.

The most inclusive single-volume anthology of Latin American poetry intranslation ever produced.

This 1998 book studies the ways in which nineteenth-century Spanish American writers and intellectuals imagined, described, and promoted idealized notions of a pan-Hispanic culture.

Presents a diverse sample of twentieth century Latin American poems from eighty-four authors in Spanish, Portuguese, Ladino, Spanglish, and several indigenous languages with English translations on facing pages.

Spanish American Modernista Poets: A Critical Anthology presents the major works of some of Latin America’s important modernist poets. The titled dedicates a whole chapter to a specific personality. Each chapter of the text provides a short biographic account of the poet, and then proceeds to presenting the major works of the poet. The book will be of great use to individuals of have a keen interest in literary arts, particularly poetry.