Philip Van Buskirk enlisted in the U.S. Marines in 1846, when he was twelve years old. Beginning in 1851, he recorded his thoughts and experiences on board ship, providing a firsthand account of the countries he visited, the brawling nation in which he lived, and the everyday life and homoerotic exploits of the sailors and marines who sailed with him. In this intimate portrait, the author draws on Van Buskirk's unconventional and revelatory diaries and on social, religious, and medical writings of the time.

Philip Van Buskirk enlisted in the U.S. Marines in 1846, when he was twelve years old. Beginning in 1851, he recorded his thoughts and experiences on board ship, providing a firsthand account of the countries he visited, the brawling nation in which he lived, and the everyday life and homoerotic exploits of the sailors and marines who sailed with him. In this intimate portrait, the author draws on Van Buskirk's unconventional and revelatory diaries and on social, religious, and medical writings of the time.

Since the Viking ascendancy in the Middle Ages, the Atlantic has shaped the lives of people who depend upon it for survival. And just as surely, people have shaped the Atlantic. In his innovative account of this interdependency, W. Jeffrey Bolster, a historian and professional seafarer, takes us through a millennium-long environmental history of our impact on one of the largest ecosystems in the world. While overfishing is often thought of as a contemporary problem, Bolster reveals that humans were transforming the sea long before factory trawlers turned fishing from a handliner's art into an industrial enterprise. The western Atlantic's legendary fishing banks, stretching from Cape Cod to Newfoundland, have attracted fishermen for more than five hundred years. Bolster follows the effects of this siren's song from its medieval European origins to the advent of industrialized fishing in American waters at the beginning of the twentieth century. Blending marine biology, ecological insight, and a remarkable cast of characters, from notable explorers to scientists to an army of unknown fishermen, Bolster tells a story that is both ecological and human: the prelude to an environmental disaster. Over generations, harvesters created a quiet catastrophe as the sea could no longer renew itself. Bolster writes in the hope that the intimate relationship humans have long had with the ocean, and the species that live within it, can be restored for future generations.

Few Americans, black or white, recognize the degree to which early African American history is a maritime history. W. Jeffrey Bolster shatters the myth that black seafaring in the age of sail was limited to the Middle Passage. Seafaring was one of the most significant occupations among both enslaved and free black men between 1740 and 1865. Tens of thousands of black seamen sailed on lofty clippers and modest coasters. They sailed in whalers, warships, and privateers. Some were slaves, forced to work at sea, but by 1800 most were free men, seeking liberty and economic opportunity aboard ship.Bolster brings an intimate understanding of the sea to this extraordinary chapter in the formation of black America. Because of their unusual mobility, sailors were the eyes and ears to worlds beyond the limited horizon of black communities ashore. Sometimes helping to smuggle slaves to freedom, they were more often a unique conduit for news and information of concern to blacks.But for all its opportunities, life at sea was difficult. Blacks actively contributed to the Atlantic maritime culture shared by all seamen, but were often outsiders within it. Capturing that tension, Black Jacks examines not only how common experiences drew black and white sailors together--even as deeply internalized prejudices drove them apart--but also how the meaning of race aboard ship changed with time. Bolster traces the story to the end of the Civil War, when emancipated blacks began to be systematically excluded from maritime work. Rescuing African American seamen from obscurity, this stirring account reveals the critical role sailors played in helping forge new identities for black people in America.An epic tale of the rise and fall of black seafaring, Black Jacks is African Americans' freedom story presented from a fresh perspective.

Drawn from primary source documents from around the world, "John Barry: First Among Captains" brings the story of this self-made American hero--the Father of the American Navy--back to life in a major new biography.

Previously hard-to-find information on homosexuality in early America—now in a convenient single volume! Few of us are familiar with the gay men on General Washington’s staff or among the leaders of the new republic. Now, in the same way that Alex Haley’s Roots provided a generation of African Americans with an appreciation of their history, Male-Male Intimacy in Early America: Beyond Romantic Friendships will give many gay readers their first glimpse of homosexuality as a theme in early American history. Honored as a 2007 Stonewall Book Award nonfiction selection, Male-Male Intimacy in Early America is the first book to provide a comprehensive overview of the role of homosexual activity among American men in the early years of American history. This single source brings together information that has until now been widely scattered in journals and distant archives. The book draws on personal letters, diaries, court records, and contemporary publications to examine the role of homosexual activity in the lives of American men in the Colonial period and in the early years of the new republic. The author scoured research that was published in contemporary journals and also conducted his own research in over a dozen US archives, ranging from the Library of Congress to the Huntington Library, from the United Military Academy Archives to the Missouri Historical Society. Male-Male Intimacy in Early America explores: the role of the open frontier and the unregulated seas as places of refuge for men who would not enter into heterosexual relationships the sexual lives of American Indians—particularly the berdache tradition—and how the stereotypes associated with American Indian sexuality molded white America’s attitudes toward homosexuality homosexuality in slave narratives—and the homosexual subtexts of racist minstrel show lyrics the formation of European gay communities during American colonial times, with an emphasis on Berlin, Paris, and London—with English translations of material previously available only in German or French! homosexuality as presented in eighteenth-century novels popular with American readers, plus information on homosexuality that was published in medical treatises of the period United States Army and Navy courts-martial that focused on sodomy the sublimation of homosexuality by religious revival movements of the early nineteenth century, particularly among Quakers, Mormons, and Oneida Perfectionists social groups as a perceived cover for homosexual activity, with an emphasis on the Masonic Order non-procreative sexuality as a theme and as a threat during the American revolution the West in American literary tradition—and the role of popular writers such as James Fenimore Cooper and Davy Crockett in creating the myth of individual sexual freedom on the margins of American society Author William Benemann rejects Foucault’s contention that homosexuality is an artificial construct created by medico-legal authorities in the latter half of the nineteenth century. He recognizes that men have been sexually attracted to other men throughout American history, and in this book, examines their historical options for expressing that attraction. He also addresses related issues surrounding race and gender expectations, population and migration patterns, vocational choice, and information exchange. Written in a straightforward style that can easily be understood by lay readers, Male-Male Intimacy in Early America is an ideal choice for educators, students, and individuals interested in this unexplored area of American history and sexuality studies.

In centuries past, sexual body-parts and same-sex desire were un­men­­tionables de­barred from polite conver­sa­tion and printed discourse. Yet one scientific discipline-ana­to­my-had license to rep­re­sent and nar­rate the in­timate details of the human body-anus and genitals in­clud­ed. Figured with­in the frame of an anatomical plate, pre­sen­ta­tions of dissected bo­dies and body-parts were often soberly tech­ni­cal. But just as often mon­strous, provoca­tive, flirtatious, theatri­cal, beau­tiful, and even sensual. Queer Anatomies explores overlooked examples of erotic expression within 18th and 19th-century anatomical imagery. It uncovers the subtle eroticism of certain anatomical illustrations, and the queerness of the men who made, used and collected them. As a foundational subject for physicians, surgeons and artists in 18th- and 19th-century Europe, anatomy was a privileged, male-dominated domain. Artistic and medical competence depended on a deep knowledge of anatomy and offered cultural legitimacy, healing authority, and aesthetic discernment to those who practiced it. The anatomical image could serve as a virtual queer space, a private or shared closet, or a men's club. Serious anatomical subjects were charged with erotic, often homoerotic, undertones. Taking brilliant works by Gautier Dagoty, William Cheselden, and Joseph Maclise, and many others, Queer Anatomies assembles a lost archive of queer expression-115 illustrations, in full-colour reproduction-that range from images of nudes, dissected bodies, penises, vaginas, rectums, hands, faces, and skin, to scenes of male viewers gazing upon works of art governed by anatomical principles. Yet the men who produced and savored illustrated anatomies were reticent, closeted. Diving into these textual and representational spaces via essayistic reflection, Queer Anatomies decodes their words and images, even their silences. With a range of close readings and comparison of key images, this book unearths the connections between medical history, connoisseurship, queer studies, and art history and the understudied relationship between anatomy and desire.