Never before available in paperback and all but invisible for twenty years, a personal account of the origins of America's longest war. In 1982, the young William Vollmann worked odd jobs, including as a secretary at an insurance company, until he'd saved up enough money to go to Afghanistan, where he wanted to join the mujahedeen to fight the Soviets. The resulting book wasn't published until 1992, and Library Journal wrote: "The wrong book written at the wrong time. . . . With the situation in Afghanistan rapidly heading toward resolution . . . libraries may safely skip this." Thirty years later--and with the United States still mired in the longest war of its history--it's time for a reassessment of Vollmann's heartfelt tale of idealism and its terrifying betrayals. An alloy of documentary and autobiographical elements characteristic of Vollmann's later nonfiction, An Afghanistan Picture Show is not a work of conventional reportage; instead, it's an account of a subtle and stubborn consciousness grappling with the limits of will and idealism imposed by violence and chaos.

In 1982, a 23-year-old William T. Vollmann took his camera and tape recorder and headed off to help the Afghanis in their war against Soviet invaders. Originally published in 1992, a decade later, his unique record of his fight with the mujahdeen as they fought against Soviet troops was held as a bold and original' achievement. Now re-released in 2013, this new edition of An Afghanistan Picture Show features a new introduction by the author and includes a number of Vollmann's photos and drawings from his trip to one of the most dangerous places on the planet.'

A lively illustrated history that reveals how the movie business has fascinated, scandalized, and socialized the Twin Cities and its people.

Rory Stewart recounts the experiences he had walking across Afghanistan in 2002, describing how the country and its people have been impacted by the Taliban and the American military's involvement in the region.

PICTURES ON THE RADIO compiles the work of David Gilkey, a celebrated conflict photographer who helped NPR bring vivid life to big and small stories with global impact. Known for chronicling pain and beauty in war and conflict, he was on assignment in Helmand, Afghanistan in 2016 when he and NPR's Afghan interpreter, Zabihullah Tamanna were killed by a Taliban ambush of their convoy. Considered one of the best photojournalists in the world, his death made headlines around the country and the globe. The nine chapters in PICTURES ON THE RADIO include photographs from assignments in Afghanistan, Haiti, and Gaza covering war, natural disasters, and political strife, but also a surreal journey on the tran-Siberian railroad, a voyage down the Ganges, and coverage of American war-veterans showcasing Gilkey's range as a photojournalist whose work captured the strength and fragility of our humanity and our planet. An essay by NPR correspondents--including Jason Beaubien, Ari Shapiro, David Greene, Julie McCarthy, and Eric Westervelt--who accompanied David on assignment introduces each chapter of award-winning photographs and an afterword by Alyda Gilkey paints a portrait of the man behind the camera. PICTURES ON THE RADIO continues David Gilkey's lifelong mission of connecting Americans to the frontlines far beyond their shores. The drama, beauty and dignity of his subjects continue to move the heart and the conscience.

Talking bugs, electricity, the founding of empires, hobos, Nazis, whores, violence, drugs, murder, secret cabals, Heaven, Hell--William T. Vollmann is a writer of enormous novels that are stuffed with entire worlds of creation and destruction. This first ever book-length critical study traces his career to date with chapters devoted to each of his novels, as well as his short stories and major nonfiction. Vollmann is a writer of obsessions, and this study concentrates on three of them--freedom, redemption, and prostitution--while arguing that the author that dwells on them is worthy of being called one of our greatest living American writers. Also included are seven interviews spanning the years 1991-2007 that reinforce the persistence of Vollmann's attraction to these themes.

A true-life Catch-22 set in the deeply dysfunctional countries of Afghanistan and Pakistan, by one of the region’s longest-serving correspondents. Kim Barker is not your typical, impassive foreign correspondent—she is candid, self-deprecating, laugh-out-loud funny. At first an awkward newbie in Afghanistan, she grows into a wisecracking, seasoned reporter with grave concerns about our ability to win hearts and minds in the region. In The Taliban Shuffle, Barker offers an insider’s account of the “forgotten war” in Afghanistan and Pakistan, chronicling the years after America’s initial routing of the Taliban, when we failed to finish the job. When Barker arrives in Kabul, foreign aid is at a record low, electricity is a pipe dream, and of the few remaining foreign troops, some aren’t allowed out after dark. Meanwhile, in the vacuum left by the U.S. and NATO, the Taliban is regrouping as the Afghan and Pakistani governments floun­der. Barker watches Afghan police recruits make a travesty of practice drills and observes the disorienting turnover of diplomatic staff. She is pursued romantically by the former prime minister of Pakistan and sees adrenaline-fueled col­leagues disappear into the clutches of the Taliban. And as her love for these hapless countries grows, her hopes for their stability and security fade. Swift, funny, and wholly original, The Taliban Shuffle unforgettably captures the absurdities and tragedies of life in a war zone.