If a sophisticated beauty proposes a clandestine affair, could even the most proper gentleman resist? New York Times bestselling author Candace Camp concludes her scintillating Willowmere series with a seductive tale of an alluring lady who dares to break the rules. . . . When Oliver, Earl of Stewkesbury, asks the dashing Lady Vivian Carlyle to ensure that his American cousins meet the cream of London society, he doesn’t anticipate the danger she will pose to his own self-control. Thrown into intimate contact with the lovely lady, Oliver finds he cannot stop thinking of Vivian—of her wit, of her smile . . . of her lips. And when Vivian, who has sworn never to subject herself to the bonds of matrimony, boldly suggests that she and Oliver become lovers instead, her scandalous proposal is temptation indeed! But with an alarming series of jewel thefts rocking London, the ever-outrageous Vivian insists on trying to discover the perpetrator despite Oliver’s admonitions. And when a bold lady steps into danger, it is a gentleman’s duty to protect her at all costs. What neither Oliver nor Vivian can anticipate, however, is that the ultimate cost may be both their hearts. . . .

An exploration of the possibilities of hypertext fiction as art form and entertainment

Important American periodical dating back to 1850.

Thrown together with Lord Morecombe after she discovers an abandoned baby accompanied by a brooch bearing his insignia, Thea Bainbridge agrees to help him find the child's mother and soon finds it harder and harder to resist this notorious rake as scandal swirls around them.

In Secularization without End: Beckett, Mann, Coetzee, Vincent P. Pecora elaborates an alternative history of the twentieth-century Western novel that explains the resurgence of Christian theological ideas. Standard accounts of secularization in the novel assume the gradual disappearance of religious themes through processes typically described as rationalization: philosophy and science replace faith. Pecora shows, however, that in the modern novels he examines, "secularization" ceases to mean emancipation from the prescientific ignorance or enchantment commonly associated with belief and signifies instead the shameful state of a humanity bereft of grace and undeserving of redemption. His book focuses on the unpredictable and paradoxical rediscovery of theological perspectives in otherwise secular novels after 1945. The narratives he analyzes are all seemingly godless in their overt points of view, from Samuel Beckett’s Murphy to Thomas Mann’s Doktor Faustus to J. M. Coetzee’s The Childhood of Jesus. But, Pecora argues, these novels wind up producing varieties of religious doctrine drawn from Augustinian and Calvinist claims about primordial guilt and the impotence of human will. In the most artfully imaginative ways possible, Beckett, Mann, and Coetzee resist the apparently inevitable plot that so many others have constructed for the history of the novel, by which human existence is reduced to mundane and meaningless routines and nothing more. Instead, their writing invokes a religious past that turns secular modernity, and the novel itself, inside out.

The subsequent chapters of the book deal with selected questions from Jeanette Winterson's fiction, such as gender issues, love and eroticism, language and time, constituting areas within which Winterson's characters seek their identity. As they contest and repudiate clichés, stereotypes and patterns, their journey of self-discovery is accomplished through transgression. The book analyzes how the subversion of phallogocentric narrative and scenarios entails the reenvisaging of relations between the genders and reconceptualization of female desire. The author attempts to determine the consequences of Winterson's manipulations with gender, sexuality and time, and her disruption of the binary system.