The anthropology of art in China includes studies of popular arts among the Han in both rural and urban settings, and of folk arts among minority peoples. The country is currently experiencing rapid social change and aesthetic values are being transformed. Chinese scholars have both an exciting range of dramatic case studies to present and their own distinctive theories to offer on these processes. This volume is the first to present an overview of the anthropology of art in China to researchers in the English-speaking world. The essays are written by leading Chinese professors in the fields of visual art, dance, music and art theory.

Vol. 1- includes Glossary of sociological and anthropological terms.

The first reader on Asian law and society scholarship, this book features reading selections from a wide range of Asian countries – East, South, Southeast and Central Asia – along with original commentaries by the three editors on the theoretical debates and research methods pertinent to the discipline. Organized by themes and topical areas, the reader enables scholars and students to break out of country-specific silos to make theoretical connections across national borders. It meets a growing demand for law and society materials in institutions and universities in Asia and around the world. It is written at a level accessible to advanced undergraduate students and graduate students as well as experienced researchers, and serves as a valuable teaching tool for courses focused on Asian law and society in law schools, area studies, history, religion, and social science fields such as sociology, anthropology, politics, government, and criminal justice.

Includes entries for maps and atlases.