At 25, Jacob Marateck was a Jewish officer in the notoriously anti-Semitic Russian army during the Russo-Japanese War. After avoiding a firing squad for a third time, he escaped from a Siberian forced labor camp with Warsaw's colorful "King of Thieves." This is the remarkable, true story of an ordinary man made extraordinary by participating in the history-making events of the 1900s in Russia and Poland.

It was a bitter cold morning in March, 1908. A nineteen-year-old Jewish immigrant traversed the confusing and unfamiliar streets of Chicago–a one-and-a-half-hour-long journey–from his ghetto home on Washburne Avenue to the luxurious Lincoln Place residence of Police Chief George Shippy. He arrived at 9 a.m. Within minutes after knocking on the front door, Lazarus Averbuch lay dead on the hallway floor, shot no less than six times by the chief himself. Why Averbuch went to the police chief's house or exactly what happened after that is still not known. This is the most comprehensive account ever written about this episode that stunned Chicago and won the attention of the entire country. It does not "solve" the mystery as much as it places it in the context of a nation that was unsure how to absorb all of the immigrants flowing across its borders. It attempts to reconstruct the many different perspectives and concerns that comprised the drama surrounding the investigation of Averbuch's killing.

A new translation of Fo's play which aims to be faithful to the clear-sighted insanity of the original. The author's other plays include "Mistero Buffo", "Trumpets and Raspberries" and "Archangels Don't Play Pinball".

The Grand Union was a leaderless improvisation group in SoHo in the 1970s that included people who became some of the biggest names in postmodern dance: Yvonne Rainer, Trisha Brown, Steve Paxton, Barbara Dilley, David Gordon, and Douglas Dunn. Together they unleashed a range of improvised forms from peaceful movement explorations to wildly imaginative collective fantasies. This book delves into the "collective genius" of Grand Union and explores their process of deep play. Drawing on hours of archival videotapes, Wendy Perron seeks to understand the ebb and flow of the performances. Includes 65 photographs.

As diplomats arbitrate more and more of the world's business, we have little idea - and even less control - of what they are doing in our name. 'Independent Diplomat' provides a compelling account of the conduct of foreign policy and diplomacy from the inside.

Consisting of ten collaborative picture-essays that weave Cindy Milstein’s poetic words within Erik Ruin’s intricate yet bold paper-cut and scratch-board images, Paths toward Utopia suggests some of the here-and-now practices that prefigure, however imperfectly, the self-organization that would be commonplace in an egalitarian society. The book mines what we do in our daily lives for the already-existent gems of a freer future—premised on anarchistic ethics like cooperation and direct democracy. Its pages depict everything from seemingly ordinary activities like using parks as our commons to grandiose occupations of public space that construct do-it-ourselves communities, if only temporarily, including pieces such as “The Gift,” “Borrowing from the Library,” “Solidarity Is a Pizza,” and “Waking to Revolution.” The aim is to supply hints of what it routinely would be like to live, every day, in a world created from below, where coercion and hierarchy are largely vestiges of the past. Paths toward Utopia is not a rosy-eyed stroll, though. The book retains the tensions in present-day attempts to “model” horizontal institutions and relationships of mutual aid under increasingly vertical, exploitative, and alienated conditions. It tries to walk the line between potholes and potential. Yet if anarchist and other autonomist efforts are to serve as a clarion call to action, they must illuminate how people qualitatively, consensually, and ecologically shape their needs as well as desires. They must offer stepping-stones toward emancipation. This can only happen through experimentation, by us all, with diverse forms of self-determination and self-governance, even if riddled with contradictions in this contemporary moment. As the title piece to this book steadfastly asserts, “The precarious passage itself is our road map to a liberatory society.”