¿Cómo intentar enamorar a alguien que no cree en el amor? Tercera entrega de la trología «Suaves pétalos de amor». Conoce a Cristina... Estaban destinados a amarse, pero Javier no cree en el destino y cuando se quiere dar cuenta de su error, quizá ya es tarde. Cristina se enamora en cuanto conoce Javier, sabe que ese hombre es el que le ha enviado el destino. No esconde sus sentimientos, sin embargo, todo esfuerzo será en vano porque él nunca creyó en el amor; no tiene buenos recuerdos del matrimonio de sus padres y había decidido no casarse nunca. A pesar de sus rechazos, Cris no se da por vencida, de hecho tiene todo un futuro para que él cambie de parecer, o eso cree hasta que se entera de que se marcha muy lejos, tan lejos que nunca más lo volverá a ver. Javier encuentra su salvación en un largo viaje que lo apartará de ella para siempre. Pero el destino intervendrá y dictará sentencia. A partir de ese instante las vidas de ambos cambiarán para siempre, de una manera que los habitantes de Valleverde no hubieran imaginado nunca. «Su corazón tenía muchas cosas que decirle, solo esperaba que su boca supiera pronunciarlas.»

A reference guide to the vast array of art song literature and composers from Latin America, this book introduces the music of Latin America from a singer's perspective and provides a basis for research into the songs of this richly musical area of the world. The book is divided by country into 22 chapters, with each chapter containing an introductory essay on the music of the region, a catalog of art songs for that country, and a list of publishers. Some chapters include information on additional sources. Singers and teachers may use descriptive annotations (language, poet) or pedagogical annotations (range, tessitura) to determine which pieces are appropriate for their voices or programming needs, or those of their students. The guide will be a valuable resource for vocalists and researchers, however familiar they may be with this glorious repertoire.

Cecilia Valdés is arguably the most important novel of 19th century Cuba. Originally published in New York City in 1882, Cirilo Villaverde's novel has fascinated readers inside and outside Cuba since the late 19th century. In this new English translation, a vast landscape emerges of the moral, political, and sexual depravity caused by slavery and colonialism. Set in the Havana of the 1830s, the novel introduces us to Cecilia, a beautiful light-skinned mulatta, who is being pursued by the son of a Spanish slave trader, named Leonardo. Unbeknownst to the two, they are the children of the same father. Eventually Cecilia gives in to Leonardo's advances; she becomes pregnant and gives birth to a baby girl. When Leonardo, who gets bored with Cecilia after a while, agrees to marry a white upper class woman, Cecilia vows revenge. A mulatto friend and suitor of hers kills Leonardo, and Cecilia is thrown into prison as an accessory to the crime. For the contemporary reader Helen Lane's masterful translation of Cecilia Valdés opens a new window into the intricate problems of race relations in Cuba and the Caribbean. There are the elite social circles of European and New World Whites, the rich culture of the free people of color, the class to which Cecilia herself belonged, and then the slaves, divided among themselves between those who were born in Africa and those who were born in the New World, and those who worked on the sugar plantation and those who worked in the households of the rich people in Havana. Cecilia Valdés thus presents a vast portrait of sexual, social, and racial oppression, and the lived experience of Spanish colonialism in Cuba.

When it was published in 1889, the perceived promiscuity of Emilia Pardo Bazán's Insolación scandalised the reading public as well as critics. Nowadays, this simple love story illustrating the double standards of a society that expects of men what it denigrates in women is recognised as a psychological masterpiece.

"Substantially the book that devotees of the director have been waiting for: a full-length critical work about Ozu's life, career and working methods, buttressed with reproductions of pages from his notebooks and shooting scripts, numerous quotes from co-workers and Japanese critics, a great many stills and an unusually detailed filmography."—Sight and Sound Yasujiro Ozu, the man whom his kinsmen consider the most Japanese for all film directors, had but one major subject, the Japanese family, and but one major theme, its dissolution. The Japanese family in dissolution figures in every one of his fifty-three films. In his later pictures, the whole world exists in one family, the characters are family members rather than members of a society, and the ends of the earth seem no more distant than the outside of the house.

Wolves' Dream is the story of five characters who hatch a plan to carry out a bank robbery in Quito, Ecuador in 1980, at the end of the oil boom. Against the background of the city, another character in the novel, the five schemers merge their talents and learn to overcome mutual mistrust to form a team in crime. Their dream of easy wealth becomes a nightmare, as their situation changes in ways none of them could have foreseen.