As if one suspect post-mortem breakfast trip wasn't enough, AHOP returns in its second annual volume to delight the sad souls who enjoy humorous speculative fiction. We can't promise AHOP 2 will be funnier than last year's edition, but we can promise that it will be greasier. AHOP 2 will again feature four novella length works from some of today's most demented, twisted and depraved, er... rather creative and talented minds. --------- More mayhem from the folks that aren't sure of the difference between funny-haha and funny peculiar, these four new novellas are guaranteed (offer not valid where prohibited by law) to tickle, please, delight and restore you, all via the magic of humorous speculative fiction. Amityville House of Pancakes: You don't have to be dead to eat here, but it helps.

Like a phoenix gasping and wheezing from the smoke of its fiery death and rebirth, "The Amityville House of Pancakes" features the works of four deranged, but really very nice, authors blazing trails into the somewhat suspect genre of humorous speculative fiction.

At a time when the expanded projection of US political, military, economic and cultural power draws intensified global concern, understanding how that country understands itself seems more important than ever. This collection of new critical essays tackles this old problem in a new way, by examining some of the hundreds of US films that announce themselves as titularly 'American'. From early travelogues to contemporary comedies, national nomination has been an abiding characteristic of American motion pictures, heading the work of Porter, Guy-Blaché, DeMille, Capra, Sternberg, Vidor, Minnelli and Mankiewicz. More recently, George Lucas, Paul Schrader, John Landis and Edward James Olmos have made their own contributions to Hollywood’s Americana. What does this national branding signify? Which versions of Americanism are valorized, and which marginalized or excluded? Out of which social and historical contexts do they emerge, and for and by whom are they constructed? Edited by Mandy Merck, the collection contains detailed analyses of such films as The Vanishing American, American Madness, An American in Paris, American Graffiti, American Gigolo, American Pie and many more.

An anthology of experimental fiction.