American Metempsychosis explores the ancient concept of metempsychosis as a precursor to the idea of history. In the writings of Ralph Waldo Emerson and Walt Whitman, metempsychosis serves as a form of American self-knowing - the effort to reshape identity through a self's heightened awareness of its own cognitive succession.

Reincarnation in America: An Esoteric History surveys the complex history of reincarnation theories across multiple fields of discourse in a pre-American context, ranging from early Greek traditions to Medieval Christian theories, Renaissance esotericism, and European Kabbalah, all of which had adherents that brought those theories to America. Rebirth theories are shown in all these groups to be highly complex and often disjunctive with mainstream religions even though members of conventional religions frequently affirm the possibility of rebirth. As a history of an idea, reincarnation theory is a current, vital belief pattern that cuts across a wide spectrum of social, cultural, and scientific domains in a long, complex history not reducible to any specific religious or theoretical explanation. This book is cross-disciplinary and multicultural, linking religious studies perspectives with science based research; it draws upon many distinct disciplines and avoids reduction of reincarnation to any specific theory. The underlying thesis is to demonstrate the complexity of reincarnation theories; what is unique is the historical overview and the gradual shift away from religious theories of rebirth to new theories that are therapeutic and trans-traditional.

This book is the first to develop a history of the analogy between woman and slave, charting its changing meanings and enduring implications across the social movements of the long nineteenth century. Looking beyond its foundations in the antislavery and women’s rights movements, this book examines the influence of the woman-slave analogy in popular culture along with its use across the dress reform, labor, suffrage, free love, racial uplift, and anti-vice movements. At once provocative and commonplace, the woman-slave analogy was used to exceptionally varied ends in the era of chattel slavery and slave emancipation. Yet, as this book reveals, a more diverse assembly of reformers both accepted and embraced a woman-as-slave worldview than has previously been appreciated. One of the most significant yet controversial rhetorical strategies in the history of feminism, the legacy of the woman-slave analogy continues to underpin the debates that shape feminist theory today.

The Handbook of American Romanticism presents a comprehensive survey of the various schools, authors, and works that constituted antebellum literature in the United States. The volume is designed to feature a selection of representative case studies and to assess them within two complementary frameworks: the most relevant historical, political, and institutional contexts of the antebellum decades and the consequent (re-)appropriations of the Romantic period by academic literary criticism in the twentieth and early twenty-first centuries.

Walter Pater and Persons investigates the vital concept of the Person in the work of Walter Pater, a major influence on late nineteenth- and early twentieth-century literature. Stephen Cheeke explores the intersections of the person, persona, and personality in Pater's work; re-examines arguments about his famously personal prose style; traces Pater's ambivalent fascination with impersonality and asceticism; considers the poetics of personification in his writings about Greek myth and religion, in the divine logos of early Christianity, and in the theory of Platonic Universals; and explores his fascination with metempsychosis (the many persons through whom the individual soul transmigrates). Cheeke also explores the networks in which Pater was interpreted and misinterpreted by different persons and personalities, such as Oscar Wilde, Arthur Symons, and W.B Yeats. Their (mis)readings of Pater, and rebellions against his work from Decadent, antinomian, and 'mystical' perspectives, reveal the ways in which Pater's writing had always been in a critical dialogue with its own thinking, as well as a prescient one in relation to his reception. The philosophical question of 'what is a person?'--a crucial one for the nineteenth century, and with an increasing urgency in our own times--is illuminated throughout this work.

Offering a variety of critical approaches to late eighteenth- and nineteenth-century Gothic literature, this collection provides a transnational view of the emergence and flowering of the Gothic. The essays expand on now well-known approaches to the Gothic (such as those that concentrate exclusively on race, gender, or nation) by focusing on international issues: religious traditions, social reform, economic and financial pitfalls, manifest destiny and expansion, changing concepts of nationhood, and destabilizing moments of empire-building. By examining a wide array of Gothic texts, including novels, drama, and poetry, the contributors present the Gothic not as a peripheral, marginal genre, but as a central mode of literary exchange in an ever-expanding global context. Thus the traditional conventions of the Gothic, such as those associated with Ann Radcliffe and Monk Lewis, are read alongside unexpected Gothic formulations and lesser-known Gothic authors and texts. These include Mary Rowlandson and Bram Stoker, Frances and Anthony Trollope, Louisa May Alcott, Elizabeth Gaskell, Theodore Dreiser, Rudyard Kipling, and Lafcadio Hearn, as well as the actors Edmund Kean and George Frederick Cooke. Individually and collectively, the essays provide a much-needed perspective that eschews national borders in order to explore the central role that global (and particularly transatlantic) exchange played in the development of the Gothic. British, American, Continental, Caribbean, and Asian Gothic are represented in this collection, which seeks to deepen our understanding of the Gothic as not merely a national but a global aesthetic.

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