This sensational design book showcases America’s most gorgeous and inventive art jewelry! For over a decade, the elite invitation-only American Jewelry Design Council (AJDC) has sponsored an annual project: every member creates an original piece based on a given theme. With imagination and skill, jewelers have tackled such concepts as the Mona Lisa, Wheel, Key, Puzzle, Water, Flight, Peekaboo, Sphere, Pyramid, and Secret Treasure. Each of these topics now becomes a dramatically photographed chapter, complete with illuminating introductions by renowned jewelry writers Cindy Edelstein and Frank Stankus. In addition to background information on the AJDC, and the story of the annual design event, artists’ commentaries enhance specific images. A final members’ section includes a biography, headshot, and additional jewelry images for each talented individual.

The identification and dating of American jewelry heretofore has been difficult because few pieces bear standard markings and the references have been diverse, hard to find, and incomplete. Using old trade journals and their related directories as her primary sources, the eminent silver historian Dorothy Rainwater has exhaustively compiled here for the first time a comprehensive reference of jewelry trademarks and manufacturers in alphabetical order. She has also written a history of jewelry making in the United States which explains the framework upon which this enormous industry was built. The large scale manufacturers which began in the 1840s form a major portion of this directory. it is surprising to learn that only in 1961, after years of effort by the Jeweler's Vigilance Committee and the backing of trade journals, did American law require makers' marks on new jewelry. Therefore, this reference should become an important sourcebook for every jeweler, collector, antique jewelry dealer and manufacturing historian for the foreseeable future.

The Napier Jewelry book is a visual encyclopedia of Napier Costume Jewelry. It tells the heretofore untold and phenomenal story of The Napier Co. inception, development, flowering, and ultimate success. It chronicles the history of its management, manufacturing, marketing, and most importantly, the unparalleled beauty of Napier fashion jewelry. With approximately 4000 pictures of Napier jewelry history and over 250,000 words of text and descriptions, you will be taken step-by-step, decade by decade, through the development of the Napier style. As a collector, you will learn to recognize the findings, materials, and designs to appropriately circa-date the Napier jewelry in which you are investing. As a lover of vintage costume jewelry, you will enjoy the drama and excitement of the trials, tribulations, and breakthroughs at each stage of the Napier journey. In the end, you will have a deep and lasting appreciation of the romantic story infused into the metal, gemstones, crystals, cabochons, and elegance of each piece of Napier jewelry that you own or are considering owning

In the 1960s and 1970s, a generation of young Americans rejected the promise of prosperity and the suburban dream embraced by their parents. Furious about the war in Vietnam, fighting for civil rights at home, and eagerly exploring the effects of psychedelic drugs, the delights of free love, and the mystical teachings of eastern religions, thousands followed the advice to "turn on, tune in, drop out," bringing about a counterculture in the process. For many American jewelers, these events and values found their way into the studio, as well as affecting how they lived, worked, and loved. Jewelers, like other studio craftspeople, rode the wave of popularity for the hand-made and authentic that was at the heart of the counterculture. In Flux is the story of how their jewelry contributed to the raucous, contradictory, and enthusiastic clamor for a new kind of society that made the 1960s and 1970s so extraordinary.

The Phenomenon of Studio Goldsmithing When the history of art in the 1980s is written, much of it will be etched in gold. This is the time of the contemporary goldsmith, an artist who chooses to work in precious metals rather than oils or marble. The contemporary jeweler-as-artist has only recently become a re cognized force. With rare exceptions, the whole field is little more than thirty years old. But it is only within the past fifteen years that these jewelers have entered the jewelry mainstream. The phenomenon of contemporary goldsmithing embraces an eclectic group of artists, each with a unique vision, each taking a per sonal path to jewelry producing. They have as little relationship to the typical, mass-produced jewelry as a champagne maker has to a bottler of orange soda. They approach a piece of art, not a piece of metal. The work is personal and a perfect expression of the "back to the land" movement that spawned it. Many of these goldsmiths were looking not merely for a way to make a living but for a way to make a life that was worthy of living. Running a business while trying to remain a creative metalsmith at the same time is the ongoing challenge. The jeweler-artists have solved or resolved these often conflicting needs in slightly different ways and in a beautiful variety of techniques and styles. Their meth ods, their growth, and their work are discussed here.

Jackie Kennedy compared him to Cellini, the Duchess of Windsor said he was today's Fabergé, and The New Yorker described him as "the new meteor around town." David Webb was the go-to jeweler in the 1960s and 1970s, and David Webb: The Quintessential American Jeweler is the official survey of this important designer. His devoted clientele have included Lee Radziwill, Diane von Furstenberg, Elizabeth Taylor, Barbra Streisand, and Gwen Stefani. This elegantly designed volume--filled with original photography of the jewelry, Webb's own sketches and drawings, and more than sixty images from leading fashion magazines--will become the definitive reference book for collectors, dealers, and curators, and those who swoon at all that glitters.

This comprehensive publication offers an informative text and an abundance of superb color images which trace the history of American jewelry from its modest beginnings to the present. 224 illustrations, 200 in color.