The American Comic Book Chronicles continues its ambitious series of FULL-COLOR HARDCOVERS, where TwoMorrows' top authors document every decade of comic book history from the 1940s to today! At long last, this 1945-49 volume covers the comic book industry during the aftermath of World War II, when scores of writers and artists returned from foreign battlefields to resume their careers. It was a period when readers began turning away from the escapist entertainment offered by super-heroes in favor of other genres, like the grittier, more brutal crime comics. It was a time when Joe Simon and Jack Kirby created Young Romance, inaugurating a golden age of romance comics. And it was during this five-year period that Timely and National Comics capitalized on the popularity of Westerns, that Bill Gaines plotted a new course for EC Comics in the wake of his father's death, and that Jerry Siegel and Joe Shuster first sued for the rights to Superman. These are just a few of the events chronicled in this exhaustive, full-color hardcover, further documenting the ACBC series' cohesive, linear overview of the entire landscape of comics history! By Richard J. Arndt and Kurt F. Mitchell, with Keith Dallas.

The tranquility of Mars is disrupted by humans who want to conquer space, colonize the planet, and escape a doomed Earth.

"From the letters pages of Silver Age comics to his 2021 induction into the Will Eisner Hall of Fame, the career of Dave Cockrum started at the bottom and then rose to the top of the comic book industry. Beginning with his childhood obsession with comics and continuing through his years in the Navy, The Life and Art of Dave Cockrum follows the rising star from fandom (where he was one of the "Big Three" fanzine artists) to pro-dom, where he helped revive two struggling comic book franchses: the Legion of Super-Heroes and the X-Men. His later work on his own property, The Futurians, as well as childhood favorite Blackhawk and T.H.U.N.D.E.R Agents, cemented his position as as an industry giant. Featuring artwork from fanzines, unused character designs, and other rare material, this is the comprehensive biography of the legendary comic book artist, whose influence is still felt on the industry today!"--Back cover.

In 1492, Columbus Sailed to Slay a Jew.

The Secret History of Marvel Comics digs back to the 1930s when Marvel Comics wasn't just a comic-book producing company. Marvel Comics owner Martin Goodman had tentacles into a publishing world that might have made that era’s conservative American parents lynch him on his front porch. Marvel was but a small part of Goodman’s publishing empire, which had begun years before he published his first comic book. Goodman mostly published lurid and sensationalistic story books (known as “pulps”) and magazines, featuring sexually-charged detective and romance short fiction, and celebrity gossip scandal sheets. And artists like Jack Kirby, who was producing Captain America for eight-year-olds, were simultaneously dipping their toes in both ponds. The Secret History of Marvel Comics tells this parallel story of 1930s/40s Marvel Comics sharing offices with those Goodman publications not quite fit for children. The book also features a comprehensive display of the artwork produced for Goodman’s other enterprises by Marvel Comics artists such as Jack Kirby and Joe Simon, Alex Schomburg, Bill Everett, Al Jaffee, and Dan DeCarlo, plus the very best pulp artists in the field, including Norman Saunders, John Walter Scott, Hans Wesso, L.F. Bjorklund, and Marvel Comics #1 cover artist Frank R. Paul. Goodman’s magazines also featured cover stories on celebrities such as Jackie Gleason, Elizabeth Taylor, Liberace, and Sophia Loren, as well as contributions from famous literary and social figures such as Isaac Asimov, Theodore Sturgeon, and L. Ron Hubbard.

The book explores the importance of free speech in America by telling the stories of its chief antagonists - the censors.

Comic Books Incorporated tells the story of the US comic book business, reframing the history of the medium through an industrial and transmedial lens. Comic books wielded their influence from the margins and in-between spaces of the entertainment business for half a century before moving to the center of mainstream film and television production. This extraordinary history begins at the medium’s origin in the 1930s, when comics were a reviled, disorganized, and lowbrow mass medium, and surveys critical moments along the way—market crashes, corporate takeovers, upheavals in distribution, and financial transformations. Shawna Kidman concludes this revisionist history in the early 2000s, when Hollywood had fully incorporated comic book properties and strategies into its business models and transformed the medium into the heavily exploited, exceedingly corporate, and yet highly esteemed niche art form we know so well today.