Blending myth with interviews and first-person narrative, California-based writer Amarnath Ravva's American Canyon uses prose, documentary footage and still photos to recount the fragmented and ever-evolving story of one person's apprehension of the ghosts of history. Written from a series of video notes taken over a period of ten years, this narrative of a son's love for his mother and the ritual he performs for her takes us from California to Rameswaram, the southern tip of the Indian peninsula. It is a meditation on the moments in history that placed him in front of a small bright fire, a lament for the continual loss of those who, by remembering, let us know who we are. Ravva's American Canyon has been described by poet and author Kevin Killian as "a complex reworking of memoir form, using the tools of poetry remelted, as in Vulcan's forge, to slash away at the ghosts and ghouls of conventional prose usage. The new journalism, Ravva-style, stimulates the nerve endings with its alternately lush and spare renditions of some spectacular settings..." Ravva has given readings and performed at LACMA, Machine Project, the MAK Center at the Schindler House, New Langton Arts, the Hammer Museum, USC, Pomona, CalArts and the Sorbonne.

The American River Canyon below Auburn is seen as a natural and scenic area but still contains signs of an extensive historical past. This includes historic bridges and bridge sites dating back to the 1850s. The 1849 Gold Rush brought 75 years of mining that ended after massive dredges worked the river for its gold in the 1910s. Unique to the canyon is the Mountain Quarries Railroad, which traveled its way across 17 trestles and an elegant, still-standing concrete bridge to reach the main line in Auburn. The long-stalled Auburn Dam is the latest incarnation of earlier dams, like the 1890s Birdsall Dam that diverted water for 50 years through the North Fork Ditch to communities downstream.